In the heart of Paris, where history and artistry intertwine, a monumental effort is underway, one that embodies the resilience of human spirit and international solidarity. The Notre-Dame Cathedral, an architectural masterpiece that stood witness to centuries of history, faced a catastrophic trial on April 15, 2019, when a fierce blaze consumed its iconic spire and wooden roof, sending shockwaves across the globe.
Leonardo da Vinci, widely regarded as the preeminent Master of All Time, stands as the most extensively studied artist globally. This polymathic genius continues to captivate the imagination, as exemplified by the suspenseful thriller “The Da Vinci Code,” a work of fiction positing that Leonardo embedded intricate clues within his creations. This fascination stems from his embodiment of the universalist spirit of the Renaissance. Among his most iconic drawings, “The Vitruvian Man” has long been a subject of discourse, as scholars endeavor to unveil the concealed secrets behind its depiction of ideal proportions.
The International Conference, Leonardo The Immortal Light, held at Palazzo Li Madou in Ancona, unveiled a groundbreaking study on Leonardo da Vinci’s red chalk drawing, revealing that it depicted the features of Federico da Montefeltro, the Duke of Urbino. The event, now in its 30th edition, explored Leonardo’s genius through scientific research, philosophy, and art, with renowned experts presenting their findings. The conference also highlighted the role of Neoplatonism during the Renaissance, the symbolism employed by Federico at his court, and the anatomical details of the drawing. The event culminated in the awarding of the prestigious Leonardo International Award to the Marche Region for its commitment to culture, tourism, and sustainability. The discoveries made during the conference underscored the profound connection between the Marches and Leonardo’s works, emphasizing the need for a new humanism that unites spirituality and intellectual achievements. The event serves as a catalyst for cultural rebirth, inspiring further research and appreciation of Leonardo’s legacy, while envisioning a future where art, science, and philosophy intertwine to shape a harmonious society.
The St John’s Co-Cathedral Foundation is delighted to announce that The Set of Tapestriesย will be exhibited at St John’s Co-Cathedral after an extensive restoration process that lastedย 16 years at De Wit Laboratories in Belgium. The last time they were displayed was duringย Pope St John Paul II’s visit to Malta in 1990.ย
