Thomas González has always had a passion for art. So today, he arranges art loans and has committed himself to the art loan business. He has developed a trusted cadre of financial partners, responsible for successfully brokering art loans above one hundred million Euros.
We at World Art News have had the pleasure of interviewing Thomas in a two-part series to discover his secrets to running a successful art loans business.
Transparent art funds that embrace technology, lawful conduct, and the scientific method to do business are what is needed. It must be understood that clients expect to multiply their capital legally, timely and responsibly, which is a much larger responsibility than just selling art to the highest bidder. Without a doubt, art funds are responsible for leading the market instead of just reacting to it. Reasonable, thought through regulations that help all market participants equally generate wealth, create transparency, freedom, and accountability must be promoted. Leaders of art funds must understand this and hold themselves to a higher standard than everyone else.
With this article it is my desire to reach as many owners of legally acquired gold artifacts and through our example show that you don’t have to be in hiding anymore.
With proper documentation and safety measures you can let your treasure shine without fear of theft or confiscation.
This is what this article all about; inspiring legal owners, responsible investors and collectors of ancient aurum to step into the light.
The art market needs you, investors crave for you, the world heritage depends on you.
Art and terrorism seem to be worlds apart, however what most people perceive as heritage and culture – criminal organizations see as cold hard cash. Cash that is hard to trace and very easy to move undetected through the borders of any country. Authorities worldwide must weak up and treat this as a major security threat!
When I first learned that Saudi Arabia is purchasing the only self-portrait of Benvenuto Cellini for €107 million I was immediately intrigued by the sum. As a financial analyst I am interested in numbers, and especially pricing, so I decided to examine all available publications in order to create a price-timeline for this portrait.