Tag: Abstract Art

Exclusive Interview with Tom Glynn – Part 4 | As A Man Thinketh

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Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. 

Exclusive Interview with Tom Glynn – Part 3 | Taking Care of Business

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How much do your paintings cost? “My paintings range in size, theme and medium and whilst I make very large and small paintings, the price can vary considerably. A small  painting may take me one to two weeks to complete, while a very large  painting will evolve over one to two months and involve more materials. Typically, I have sold A5 to A4 paintings from $5,000 to $8,000 (dependent upon the dealer or gallery commission) and very large ones from $10,000 to $15,000. My paintings will also be valued against my expertise, experience and reputation and of course every piece I make is unique and continues to increase in value. With regards to my sculptures and assemblages, prices are on application.”

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. – Dr. James Fox | British Art Historian & Broadcaster

Exclusive Interview with Tom Glynn – Part 2 | Assembling Life

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What makes your art unique? “My paintings, sculptures and assemblages are potentially unique as I explore the narrative of everyday events and issues, historical journeys, the paradox of objects and the abstract qualities of both landscape and  the built environment. Direct responses to landscape are significant recurring themes. I work with a multitude of found objects, materials and  techniques within the scope of painting and sculpture, in order to harness the mystery and visual excitement created by juxtaposition, visual memory and spatial configurations – the surrealist and dada  placement of objects and images. Themes and visual ideas often  explore incongruity, archaeological qualities, visual ambiguity, pictorial and real space, political irony, symbol and humour, resulting in a wide  range of outcomes made from expressively applied paint, collage,  assemblage, wood and objets trouvés that yield a profusion of colour, texture, form and spatial complexities.”

Exclusive Interview with Tom Glynn – Part 1 | Making of an Artist

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Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first  stepped foot in a sandpit. 

Artificial Intelligence on Art Investing

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The World Art News is continuing its art exploration of the World’s Leading Artificial Intelligence system ‘ChatGPT’. This time we decided to find out what AI knows about Art Investing. Keep in mind that this entire article was written by a machine, we just asked it the right questions and added some headlines.

“One of the main benefits of investing in art is its lack of correlation with the stock market. While the stock market may experience fluctuations, the art market has its own set of independent factors that can affect prices. This means that an investment in art can potentially provide a hedge against economic downturns.”

A Modern Romantic: Reflections on the Art of Tom Glynn

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If some artists are born and others made, Tom Glynn is undoubtedly one of the former. Growing up in West Sussex in the 1950s and 60s, he possessed a voracious  aesthetic sensibility from the start. Not long after beginning at school, aged five,  he spent the best part of a week constructing an elaborate tunneled structure in a  sandpit – astonishing his teachers in the process. In subsequent years he fashioned  animals from plasticine, made assemblages from scavenged wood, sketched on  scraps of paper, and built miniature model theatres. As he grew older, Glynn became  interested in earlier artists, establishing what he has called a ‘lifelong friendship’  with the work of Picasso, Matisse, Arp and Brancusi. But his ambitions to become  a serious artist himself only crystallized at the age of fifteen, when he visited the  studio of the great post-war British sculptor, Robert Adams. Glynn even showed  the older artist some of his own creations, which Adams is said to have admired. 

‘Art is Freedom. I Make Art.’ Exclusive Interview with Willem Vos | Part 1

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“Intense friendships, profound conversations, love, sex, feelings of connection, my fears and letting go of people. All the feelings and emotions I store and sometimes experience more violently than ever. I don’t run away from them anymore – I put them on canvas.”

Willem Vos is an enterprising new artist from the Netherlands. After selling his international company, he threw himself completely into making art. His artworks are powerful and quite large, they are full of color, energy, and meaning. Clearly Willem has an impressive talent and high potential, which is why The World Art News is pleased to share Part 1 of his First Exclusive Interview with our global audience.

Who is DovBer Marchette

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Founder of the ‘Pura’ art movement, Jewish-American artist DovBer Marchette has explored unique ideas in the creative process for over 50 years.

Trained as a professional sculptor, his body of work actually represents a wide range of materials and concepts from the modern art world.

Currently DovBer works mainly with wood sculpture as well as painting, drawing, and photography.

“I continually explore the idea of unlimited creative possibilities within strong boundaries. I limit certain factors such as my color palette and working with resources that are available in the moment.”

Exclusive Interview with Dave Vescio – Part 2: Death, Darkness, Light!

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In Part 2 of our Exclusive Interview with a Movie Star and an Award-Winning artist Dave Vescio we dive deep into his Dark Past, Time in Prison, and the Harsh Lessons of Life. Dave candidly talks about his Inner Demons, Psychological Trauma, and how to live with them.

“I was too busy trying to take over the whole LSD empire for myself!”

“The ones who think they are heroes tend to be the most vicious villains of all!”

“I want my artworks to show the spiritual world that everyone else just seems to walk by and not notice at all”

Exclusive Interview with Dave Vescio – Part 1: Art, Fame, Life!

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In Part 1 of our Exclusive Interview with a Movie Star and an Award-Winning artist Dave Vescio we dive deep into his Art, Fame, and Success, discovering what impact they had on his extraordinary life.

“I’m an artist trying to reveal to the world the things it refuses to see”

“Acting got me to tap into the deepest, darkest pits of hell”

“Art is actually our savior, our church, our educator. It’s a safe place to experience and learn about life.”

“I chose to venture out into the unknown and experience the world as it really is!”

“Explore everything in this world, until you find what you truly love to do, then explore even more!”