In 2010 the “(crypto)signature” in stylized letters “RAFFAEL SANT PXT” and the date 1501 in Roman numerals “MDI” were discovered inserted in the arabesque decoration of the border of Saint Catherine’s mantle.
The presence of Raphael in Città di Castello in those years is proven by the historical sources and consolidated by studies and therefore the date shown on the “small tablet or small panel painting” is perfectly consistent with the biographical events of the Artist.
Moreover, Raphael’s practice of affixing his signature and cryptosignature on paintings was his typical habit during his youthful period and it was also a practice of many other artists before becoming famous.
“You have to be business-minded. Try to understand that everyone in this world wants to make money. Including you and your artworks. You are part of the art world, you have to be able to embrace that.”
Willem Vos is an enterprising new artist from the Netherlands. After selling his international company, he threw himself completely into making art and selling his works. Mainly because of Willem’s choice to live a different life he has become an inspiration for people that want to successfully change course as well. His artworks are powerful and quite large, they are full of color, energy, and meaning. Clearly Willem has an impressive talent and high potential, which is why The World Art News is pleased to share Part 2 of his First Exclusive Interview with our global audience.
Micromosaics were first made in Mesopotamia some six thousand years ago. In the late 18th century this long surviving technique became a decorative art and was often used in jewellery.
It has a large presence in Switzerland and GemGenève is on a mission to make it fashionable again. Which is why this autumn they dedicated an entire exhibition space to the Magnificent Art of Micromosaics!
From Switzerland to Italy, from Villa Boscéaz to the Gilbert Collection at the V&A Museum, from the the Doves of Pliny to the The Dream of Karpa Koï bracelet by Maurizio Fioravanti, the exhibition “Micromosaics Through The Ages” offers visitors an overview of this lost art and expertise through unpretentious scenography.
Internationally recognized artist and filmmaker Annalaura di Luggo unveils “Collòculi” – her most artistic challenge!
“Collòculi” is an immersive, multimedia interactive work made in the shape of a Giant Eye from recycled aluminum. The symbolism of recycling is both suggestive of environmental rebirth as well as the deeper meaning of taking old thrown away emotions and creating new, more positive views through new eyes.
COLLÒCULI WE ARE ART by Annalaura di Luggo is currently on display at al National Archeological Museum of Naples MANN (Italy) until January 2023.
“Intense friendships, profound conversations, love, sex, feelings of connection, my fears and letting go of people. All the feelings and emotions I store and sometimes experience more violently than ever. I don’t run away from them anymore – I put them on canvas.”
Willem Vos is an enterprising new artist from the Netherlands. After selling his international company, he threw himself completely into making art. His artworks are powerful and quite large, they are full of color, energy, and meaning. Clearly Willem has an impressive talent and high potential, which is why The World Art News is pleased to share Part 1 of his First Exclusive Interview with our global audience.
Internationally acclaimed Swiss designer and artist Christian Etter together with author and entrepreneur Alexander E. Brunner joined forces and presented a unique hybrid NFT artwork, supported by the Cardano Foundation.
The official launch of ‘Etter Edition 01’ took place on October 6th in Zurich, Switzerland, where the artwork was presented for the first time.
‘Etter Edition 01’ brought together blockchain-technology and digital interactive art with the physical world, intimately joining generative art with decentralized tokens and expanding the NFT universe into the physical realm.
While the popular knowledge about the Fabergé is focused on the Imperial Easter Eggs, commissioned by the Russia Royal family and other famous patrons, the Igor Carl Fabergé Foundation decided to offer a different approach by presenting “New Finds” and little known items as a point of departure for this exhibition. By presenting more than 100 pieces from private collections, the Igor Carl Fabergé Foundation is offering a glimpse into the richness and versatility of the Fabergé workshops.
Many collected rarities have not been previously shown in Switzerland or Europe at large and some are being presented for the first time!
PIGUET HISTORICAL AUCTION – Total Estimate: 3-4 Million CHF
The World Swiss Foundation – over 500 lots.
The Minkoff Collection – over 300 lots.
Rare oil painting by Ferdinand Hodler.
Bronze by Rembrandt Bugatti from Alain Delon’s collection.
Many exceptional historical treasures are listed at auction for the First Time!
20 – 21 September, 2022 | Geneva, Switzerland
GENEVA, 23 AUGUST 2022 – It’s official! By popular demand from its exhibitors, GemGenève is holding a second, exceptional edition again this year in Geneva. “We had initially planned to hold only one edition, in May 2022. Following calls from our exhibitors, we´ve decided to organize a second edition in autumn 2022 in Geneva, but this shouldn’t become standard practice in the future”, emphasizes Ronny Totah.
The 5th meeting of gemology and jewellery professionals and enthusiasts will therefore open its doors from Thursday, 3rd November to Sunday, 6th November in Palexpo, this time in Hall 6. It will coincide once again with the major autumnal auction sales of the Geneva Luxury Week.
The Spy with License to Dance … and Paint!
This isn’t a fictional book by Ian Fleming, nor an imaginary film about the world’s most famous secret agent.
The “James Bond” we’re talking about here is Italian, and his name is Alberto Spadolini (1907 – 1972).
He was sexy and daring like 007, surrounded by fascinating women and celebrities of the international jet set, continually moving between different milieux – showbiz, politics, sophisticated circles, and war scenarios.
The only difference is – he was real.