Latest World Art News about Antiques, Ancient Artifacts and much more
Art conservation and restoration constitute a nuanced and intricate field that demands a comprehensive understanding. Thus, it is imperative to grasp the precise implications of these practices and their underlying purpose. This comprehension is vital for acknowledging their indispensability and the substantial contributions they make to the realms of cultural heritage, society, art, and history.
In this captivating story, a team of experts from Venis Studios undertakes an extraordinary conservation and restoration journey to revive a rare and historically significant “Ierosolimitiko” icon found within Kuruçeşme’s Saint Demetrius church in Istanbul. The remarkable artwork, depicting Jerusalem and the Holy Land, suffered severe damage and wear over time, but through meticulous scientific research and traditional techniques, the team successfully brought it back to life. The restoration process involved delicate cleaning, selective retouching, and careful lining interventions to provide stable support for the ancient canvas. The hidden beauty of the sacred icon was unveiled, capturing the imagination of viewers as they discover its profound religious and artistic significance. The successful preservation of this ancient treasure not only rescues memories from the Holy Lands but also safeguards tradition and history, bridging the gap between the past and the present.
Robert S. Duncanson (1821-1872), was a Black Hudson River School artist who painted the American South before the Civil War. Widely famous during his lifetime, this artist’s forgotten courageous journey through the antebellum South has never been exhibited or researched until now. Duncanson brilliantly created captivating landscape paintings that come alive to the viewer, by focusing on the minute details of nature and of the stories he wished to communicate. Robert Duncanson’s American scenes of the South often included Underground Railroad imagery and the mountain ridge lines that could be followed as pathways to the North. Many of his paintings were highly landmark driven with details that make these vistas identifiable today. Is it possible that Duncanson painted these historical landmarks to lead the enslaved people of America to freedom? Art historian Michael Meyer believes it is possible.
Leonardo da Vinci, widely regarded as the preeminent Master of All Time, stands as the most extensively studied artist globally. This polymathic genius continues to captivate the imagination, as exemplified by the suspenseful thriller “The Da Vinci Code,” a work of fiction positing that Leonardo embedded intricate clues within his creations. This fascination stems from his embodiment of the universalist spirit of the Renaissance. Among his most iconic drawings, “The Vitruvian Man” has long been a subject of discourse, as scholars endeavor to unveil the concealed secrets behind its depiction of ideal proportions.
Salvator Mundi is a remarkable painting by Leonardo da Vinci, known for its record-breaking sale of $450 million. This renowned artwork possesses a long and intriguing history, with some experts dating its creation back to the late 1490s, while others argue it was completed after 1500. There is a theory suggesting that it may have been commissioned for King Louis XII of France and his consort, Anne of Brittany, possibly soon after the conquests of Milan and Genoa. However, it is important to note that not all historians accept this theory. By delving into the painting’s history from its inception to the present day, we can observe the impact of the art market, pricing, and the various interventions it has undergone.
The Asian art auction held in Geneva this week garnered significant attention from China’s top collectors, resulting in an impressive $3 million in sales. This remarkable achievement not only establishes a new record for the auction house in this field but also solidifies Piguet’s position as a prominent player in Chinese art auctions. Chinese collectors made dedicated visits to Geneva, while others participated through telephone and online bidding, engaging in spirited competition with European and Swiss collectors, all vying to possess one of the extraordinary Chinese jades from the renowned Mavromichalis collection.
In a church on the Princes’ Islands of Istanbul, a masterpiece and Byzantine treasure awaited discovery. This unique bilateral post-Byzantine icon of Panagia Eleousa held a peculiar feature: on its reverse side, there was another painted icon from the 14th century, which had remained “hidden” for over a hundred years inside a heavy metal box, kept in the Church of Panagia Eleousa on Büyükada/Pringipos. This magnificent, rare, and unique artifact, often regarded as the Byzantine Mona Lisa, has endured through the centuries, conveying numerous historical, social, and artistic messages. With the expertise of a conservator, who tends to it as an art doctor, it has been safeguarded for future generations. Currently, this masterpiece is housed at the Church of Panagia Eleousa in Büyükada/Pringipos, Istanbul.
The International Conference, Leonardo The Immortal Light, held at Palazzo Li Madou in Ancona, unveiled a groundbreaking study on Leonardo da Vinci’s red chalk drawing, revealing that it depicted the features of Federico da Montefeltro, the Duke of Urbino. The event, now in its 30th edition, explored Leonardo’s genius through scientific research, philosophy, and art, with renowned experts presenting their findings. The conference also highlighted the role of Neoplatonism during the Renaissance, the symbolism employed by Federico at his court, and the anatomical details of the drawing. The event culminated in the awarding of the prestigious Leonardo International Award to the Marche Region for its commitment to culture, tourism, and sustainability. The discoveries made during the conference underscored the profound connection between the Marches and Leonardo’s works, emphasizing the need for a new humanism that unites spirituality and intellectual achievements. The event serves as a catalyst for cultural rebirth, inspiring further research and appreciation of Leonardo’s legacy, while envisioning a future where art, science, and philosophy intertwine to shape a harmonious society.
VENIS STUDIOS is a company that specializes in the conservation and restoration of historic artworks and antiquities, combining the scientific and artistic aspects of conservation and restoration. It undertakes conservation and restoration projects of all fixed and portable works of art such as paintings, icon panels, artworks, antiques, historical monuments, etc., in Greece, Turkey, Cyprus, Jordan, United States, and many other nations. Its purpose is to save artifacts and artworks by combining science with art. Recently, The World Art News had the pleasure to interview its President, Venizelos G. Gavrilakis, who shared with us fascinating images, stories, and facts about his unique art career. Here’s Part 4 of that conversation.
VENIS STUDIOS is a company that specializes in the conservation and restoration of historic artworks and antiquities, combining the scientific and artistic aspects of conservation and restoration. It undertakes conservation and restoration projects of all fixed and portable works of art such as paintings, icon panels, artworks, antiques, historical monuments, etc., in Greece, Turkey, Cyprus, Jordan, United States, and many other nations. Its purpose is to save artifacts and artworks by combining science with art. Recently, The World Art News had the pleasure to interview its President, Venizelos G. Gavrilakis, who shared with us fascinating images, stories, and facts about his unique art career. Here’s Part 3 of that conversation.
