How studio visits and direct artist relationships can support informed purchases, clear agreements and lasting collector connections.
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How studio visits and direct artist relationships can support informed purchases, clear agreements and lasting collector connections.
A quick guide to the art market recovery, studio earnings and collecting costs, with practical opportunities for artists and collectors.
This autumn, (AV17) Gallery, Vilnius, brings the work of internationally acclaimed Lithuanian artist Žilvinas Kempinas to Artissima 2026, one of Italy’s leading contemporary art fairs. The presentation will explore Kempinas’ distinctive approach to movement, perception, light and space, transforming familiar materials and physical forces into dynamic, often unexpectedly immersive visual experiences.
With André de Jong and His Theater, The Merchant House (TMH) is pleased to present new works by the distinguished Dutch artist André de Jong (b. 1947). His fifth major exhibition at TMH, it reflects one of the most prolific periods of his career—which has encompassed drawing as well as photography, sculpture, and land art—and poses the question: What is it about drawing, above all, that has continued to fascinate André de Jong for over five decades?
Acquiring historical textiles requires a methodical approach, as the market for woven art moves from decorative appeal to rigorous academic collecting. In 2026, interest in centuries-old weaving centers reached a more analytical phase. Collectors no longer buy for aesthetic scale alone; they want verifiable historical context, specific workshop identification, and clear conservation records. Working in this specialized sector involves understanding the histories of French and Flemish looms, analyzing the chemical stability of natural dyes, and identifying institutions that keep rigorous standards for authentication.
As the United States marks its 250th anniversary, internationally acclaimed abstract expressionist Vian Borchert is making waves on both sides of the Atlantic. Her signature blue paintings are now featured in the landmark American Mosaic exhibition at Washington, D.C.’s iconic Watergate Gallery, while a remarkable series of exhibitions across Madrid, London, Venice, and Paris underscores a milestone year in her international career. Discover why Borchert’s evocative “visual poetry” is capturing attention at some of the world’s most notable cultural venues.
Today, as an internationally represented artist with Toolip Gallery in Vienna, Austria, Martinelli stands at the forefront of a remarkable creative journey that has carried her work across Europe and the United States. With more than 45 juried exhibitions spanning Italy, Spain, Switzerland, Austria, and the United States, a major solo exhibition in Manhattan, and works exhibited alongside some of the most celebrated names in contemporary art, her moment has unmistakably arrived.
Art from War to War: Chasing Butterflies on the Verge of a Cliff, which opened on May 29, 2026 at Beck & Eggeling gallery, marks the first public presentation of selected works from the private collection of Kyiv-born collector Valeria Rodnianski. The exhibition features works by Georg Baselitz, Anselm Kiefer, Sigmar Polke, Ilya Kabakov, Boris Mikhailov, Irina Nakhova, A.R. Penck and other influential artists whose careers emerged amid the political and cultural upheavals of postwar Europe and the Soviet sphere.
What happens when a painting refuses to stay within its frame? This summer, The Merchant House transforms its historic Amsterdam canal house into a conversation between art, architecture, and domestic space. In Fragments, works by Pino Pinelli, Elsa Tomkowiak, Zhu Hong, Sylvie Bonnot, and André Stempfel spill across walls, challenge traditional materials, and blur the boundaries between gallery and home. From oversized painted zip bags to photographic spiders enlarged to unsettling beauty, the exhibition invites visitors to piece together their own connections across a series of striking visual encounters.
On a warm July evening, in a quiet stretch of Clinton Street on the Lower East Side, Shwetlana Mehta’s work was presented to a New York audience. It was not marked by noise or spectacle, but rather by silence, shadows, and small details that invited close attention. In “Moving Through Uncertainty,” a group exhibition curated by Luman Jiang at Flowing Space Gallery, Mehta presented six linoleum prints that didn’t attempt to explain the world; they simply sat with its ambiguities. Her contribution stood alongside works by Wujian Wang and Dipa Halder, each artist navigating in their own visual language.