In today’s digital asset market, there are a lot of conflicting opinions about NFTs (non-fungible tokens). Whether you love or hate it, there’s no denying that NFT is a groundbreaking technology for the art and collectibles industry.
Digital artworks have emerged as a robust industry, with the NFT market expected to become $147.24 billion by 2026.
But let’s take a step back and reflect on the broader use case of non-fungible tokens.
To get more out of looking at and creating art there are two easy-to-learn concepts combined by the masters of painting that have rarely been published together – until now.
Discover simple ideas that are changing how the world sees art, and revealing a visual language that has been hiding in plain sight.
The combination of asymmetrical balance and the brightness/weight illusion is a reintroduction, from the Modernist period, of a way of seeing the world and art like an artist. Like learning to play a musical instrument (or balance a bicycle), it takes practice to coordinate all the parts.
Modern advancements in digital and online technology are changing the art market. Online events are becoming more popular than ever as they can be accessed by anyone from anywhere. By simply opening a screen, people are able to instantly access desired products and services from all around the world, which makes it easier than ever to engage with your artistic interests.
The art market is no exception to this trend. Over the past few years it has been strengthening its online presence, and despite an overall decline in sales, the online trade is actually at a record high, doubling in value from two years ago. It is therefore reasonable to expect further substantial growth in this sector.
At the heart of this online art world are OVRs.
When it comes to the modern art world, millennials have played a crucial role in the recent years.
After the pandemic, they tremendously helped the art market to recover from countless museum, gallery, and exhibition closures.
A report from Art Basel-UBS states that in the first half of 2021, millennials spent the most on art, helping to boost the much needed recovery of the market.
Sales were also up by 10%, with millennials doubling the buying power of Gen X, and spending four times more than baby boomers!
It may be obvious but still needs to be said – the benefits of NFTs for the entire art world are tremendous!
Art that doesn’t exist in a physical form can now be bought, sold, and collected, opening many opportunities for artists, collectors, and investor.
There are also great benefits to physical art from NFTs. Art museums and galleries now have the ability to earn additional revenue from their artworks.
NFTs are clearly helping to create a unique generational synergy between the old and the new art.
The art industry and the creative community at large is often overlooked and sometimes even looked down upon as a career choice. In every society there is a common misconception that individuals who wish to pursue a career in the arts are throwing away their future and will never be successful.
However, in modern times, it has been proven over and over again that a career can be made from almost anything. With the right mentorship and knowledge – success can be just around the corner!
In this article we uncover some of the positive aspects of being an artist and show how to make use of one’s resources to create a name for yourself.
The World Art News presents one of the Holiest Jewish Relics that is known to exist in a private collection – the Second Chair of Rebbe Nachman of Breslov (1772 – 1810).
With the Star of David in the front, a hypnotic Jewish Rabbi in the center, and a Yiddish inscription of Reb Nachman’s name on the back, this chair is stunning in its craftsmanship and Judaic beauty. The aura of history radiates from this rare artifact.
Reb Nachman remains among the most quoted Hasidic masters and to this day tens of thousands of Jews from all over the world travel to his burial site as part of their annual pilgrimage.
Most people in the United States, Russia, and the World don’t know that more than 2,500 volumes from the personal library of the Russia’s Royal Family are in the possession of the Library of Congress of the United States.
This priceless collection was formed in the Winter Palace in St. Petersburg’s, Imperial Russia. It survived WWI, the 1917 Revolution as well as the Civil War that followed, eventually ending up in America.
This is the fascinating story of how it happened, told exclusively to the World Art News by a researcher who worked with these rare books.
After our first publication about these rare $36 Million Chinese Ming Dynasty statuettes, The World Art News received further questions regarding their provenance, authenticity, valuation, and who may be the potential buyer of these unique artifacts. For answers we went straight to the source and took a sensational, exclusive, and provocative in-depth interview with their current owner, prof. Mikhail Tamoikin, Ph.D.
Professor Tamoikin was surprisingly candid with us and gave stunning answers to all our questions. If you ever wandered how the super-rich do business, negotiate, and operate in the art market, this interview is a Must-Read!
Yuri Tarasov was one of the strongest painters in the Soviet Union, Russia and Lithuania. While his talent had no borders, Yuri’s fantastic vision and ability to show the true classic Russian art school with a touch of modern European trends made his paintings highly controversial in the Soviet society. As the son of the Head of the Supreme Council of the Russian Soviet Federative Socialist Republic, he had an opportunity to become one of the best-know artists in the USSR, but Yuri never wanted fame or money, strongly believing that great art must bring recognition and not the other way around. Ignoring the opportunities life gave him, committed only to his art and his family, Yuri Tarasov, nevertheless, became one of the top artists in the entire Soviet Union. The recognition that he so carefully avoided inevitably came to him after each and every one of his exhibitions. His art spoke for itself.