Africa

Global Art Exhibition “Stillness”: Echoes of Humanity in a Restless World

Collage for Stillness featuring layered portraits, maze-like patterns, a figure on steps, a masked figure and blue figures at sunset.

Dates: September 1 – October 15, 2025

Gallery: The 34Gallery

Organized by: The 34 Gallery in partnership with SimukaAfrica.org (SAYA)

Framework: Part of the United Nations Sustainable Development Goal SDG 3.4 Initiative (Mental Health & Wellbeing), in collaboration with UNV.org


Silence as a Language


Trauma leaves many traces, but not always in the form of visible pain. More often it lingers as silence: a frozen state of emotional detachment, an absence that resists articulation. The September group exhibition Stillness, presented by 34 Gallery in partnership with SimukaAfrica.org (SAYA), invites artists across continents to interpret this complex aftermath.

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Founded in 2006, SimukaAfrica.org is a Zimbabwe-based charitable organization that supports at-risk youth, families, and survivors of child marriage through education, vocational training, medical outreach, food provision, and psychosocial care. Stillness emerges from this humanitarian framework as part of SAYA’s SDG 3.4 Initiative, aligning with the United Nations’ Agenda 2030. Here, contemporary art becomes not only a site of aesthetic inquiry but also a form of public health advocacy.


Participating Artists


The exhibition gathers a diverse roster of participating artists whose works span visual art, photography, digital media, and poetry. Together, they render the contours of stillness in its many forms:

Beside the Absence by Mary Stone Art, a miniature blue-green landscape with a small seated figure beneath turquoise trees and a moon.

Mary Stone Art – Beside the Absence
A meditation on vacancy, where emptiness itself becomes presence.

Labyrinth of Self by Madland, a portrait with swirling facial markings and dark hair against dense black-and-white patterns.

Madland – Labyrinth of Self
An inner maze reflecting the disorientation of trauma.

Stillness II by thedumbbandshee, a blue-grey figure standing in a receding corridor beneath a grainy, static-like texture.

thedumbbandshee – Stillness II
A frozen corridor that suspends both time and body.

Work by Mitochondralorian, with concentric ripples and blurred vertical forms in a pale grey space.

Mitochondralorian – Of Echo and Absence
The Room Where Gravity Forgot Me Works that transform silence into echo and weightlessness.

Ghosts of Echoes, a poem by The Last Bard, displayed as white lines of text over a blurred grey background.

The Last Bard – Ghosts of Echoes / The Waiting Room
Poetic explorations of language as a faltering witness.

Dissolving Together by Lingfei Shen, two blurred blue figures facing opposite directions by the sea at sunset.

Lingfei Shen – Dissolving Together
Figures that fade into one another, caught between connection and loss.

Quietude in the Winter Desolation by Kira Risugawa, a bowed figure in a dark top with pale branches crossing the torso.

Kira Risugawa – Quietude in the Winter Desolation
A portrait of solitude against a barren winter backdrop.

Serene by Oti Tsone, a small boat on purple-blue water beneath a bright blue sky and clouds.

Oti Tsone – Serene
A seascape where calmness conceals isolation.

One Quiet Evening On The Hill by Hiroshi Kawazumi, silhouetted trees beneath a broad, cloud-filled evening sky.

Hiroshi Kawazumi – One Quiet Evening On The Hill
Photography capturing dusk as a breath of quietude.

Invictus by liapsart, a cloaked figure wearing a mask before a purple moon, surrounded by flying birds and patterned flowers.

liapsart – Invictus
A surreal landscape of masked figures and avian flight.

Emotions by Margaret Furr, a poem about emotional turmoil and moments of peace, printed over a soft autumn landscape.

Margaret Furr – Emotions
Texts confronting turbulence and fleeting calm.

Echoes Between the Steps by Usha M Reddy, a solitary seated figure with head bowed on block-like stairs, lit from the left.

Usha M Reddy – Echoes Between the Steps
A solitary figure suspended within an architectural void.

Bipolar by Doğan Özdemir, a stylized face divided into overlapping monochrome and coloured profiles against geometric shapes.

Doğan Özdemir – Bipolar
Portraiture fractured into states of discord and duality.

Two-panel work The Owl Kept My Silence by FotoGraafHanneke, showing a figure at a wooden doorway and seated indoors beside an owl.

FotoGraafHanneke – The Owl Kept My Silence
A quiet dialogue between human and owl, heavy with unspoken witness.

Brooke Moran’s textured yellow-brown portrait of a child, painted over layers of handwritten text.

Brooke Moran – Portrait of Child Self Painted on Collage of Old Suicide Notes
A haunting self-portrait inscribed within fragments of memory.

Between the Shadows by Shelley Lafferty, with overlapping dark architectural planes, a lit vertical opening and a faint human figure.

Shelley Lafferty – Between the Shadows
Shadows and forms overlapping in muted light.

All that remains by Renata Kaman, an overhead view of a figure in a white dress curled on a broad expanse of green grass.

Renata Kaman – All that remains
A body reclined within the earth, fragile yet enduring.

Veins of Quiet by Muriel Lherm, a pale profile with swept-up black hair and red tear-like marks amid pastel flowers and small figures.

Muriel Lherm – Veins of Quiet
Elaborate floral motifs entwined with tears, balancing beauty and rupture.

Dissociative Identity by Celestino Espinoza López, a central portrait surrounded by overlapping blue, gold, black and pink faces.

Celestino Espinoza López – Dissociative Identity
A vivid portrait where multiple faces collide, reflecting the fractured tension of dissociative identity.

Alone by Deborah Kimble, layered cream and brown folds spiralling inward around a rounded central form.

Deborah Kimble – Alone
Layered folds of canvas spiral inward, evoking the wound and quiet gaze of isolation.


Beyond Aesthetics


Stillness is less about artistic style than about recognition. By situating creative practice within SimukaAfrica’s humanitarian mission, the exhibition frames art as a therapeutic gesture and a vehicle for advocacy. It reminds us that survivors’ silence is not absence but presence—an embodied condition deserving of attention, dignity, and care.

The exhibition also underscores the role of virtual platforms in contemporary art. Far from diminishing its relevance, the digital format extends reach, connecting artists and audiences who might otherwise remain excluded from institutional spaces or mental health discourse.


Conclusion


Through Stillness, 34 Gallery and SimukaAfrica.org articulate an ambitious synthesis of art, health, and advocacy. Positioned within the UN’s SDG 3.4 framework, the exhibition demonstrates how contemporary art can intervene in urgent social realities while honoring the quiet resilience of those who live with trauma.

Exhibition Access: 34gallery.org/open-calls

SimukaAfrica.org: https://simukaafrica.org/

Instagram: @simukaafricaofficial


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