Category: International

Latest International World Art News about Art, Antiques, and Collectibles

ANTOINETTE: Altar of Europa 3.0 – Art Museum in the Metaverse | INVITATION

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The artist ANTOINETTE, together with her technology partner BizzTech, have created a photorealistic museum space of  unprecedented image quality in the Metaverse for the ALTAR of EUROPA. The ALTAR of EUROPA is a real existing, 100m2 drawing consisting of millions of individual pencil strokes created by ANTOINETTE during three years of work . The image density of this monumental work of art is an ideal example to demonstrate the power of the browser-based multi-polygon technology used. In the digital world, every detail of the drawing becomes visible and perspectives and sections can be explored that would not be accessible when visiting the physical exhibition. In this virtual space, museum visitors, regardless of their location, meet with their digital twins, their avatars. With their avatars and an integrated translation tool, visitors can communicate about what they see and what moves them, without being restricted by language barriers. 

Exclusive Interview with Tom Glynn – Part 2 | Assembling Life

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What makes your art unique? “My paintings, sculptures and assemblages are potentially unique as I explore the narrative of everyday events and issues, historical journeys, the paradox of objects and the abstract qualities of both landscape and  the built environment. Direct responses to landscape are significant recurring themes. I work with a multitude of found objects, materials and  techniques within the scope of painting and sculpture, in order to harness the mystery and visual excitement created by juxtaposition, visual memory and spatial configurations – the surrealist and dada  placement of objects and images. Themes and visual ideas often  explore incongruity, archaeological qualities, visual ambiguity, pictorial and real space, political irony, symbol and humour, resulting in a wide  range of outcomes made from expressively applied paint, collage,  assemblage, wood and objets trouvés that yield a profusion of colour, texture, form and spatial complexities.”

JACK OF THE DUST: Exclusive Interview with Andy Firth – Part 3 | The Way

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Andy Firth is a self-taught Australian artist of the social generation, known for his signature canvas: the human skull. Capturing the gentle intricacies of lives once lived, Firth’s work has captivated an engaged audience of over 2.5 million people Worldwide! His clientele includes Joe Rogan, Slash, Jason Momoa, Chris Brown and Nikkie Tutorials.

For the past decade, Firth has remained widely anonymous under the title ‘Jack Of The Dust’. Established in a home garage in 2013, his operation’s alluring namesake is an 1800s Royal Navy term that represents Firth’s revival of characters, cultures and the stories that surround them. Firth has now grown ‘Jack of The Dust’ to a full-time crew of 15, and operates from two Burleigh Heads warehouses spanning 7500 square feet on Australia’s Gold Coast. ‘Jack of The Dust’ exists to crack through the limits of imagination on adventure, where the human experience is never truly dead! And with that being said, here’s Part 3 of our bone-chilling interview with Andy Firth.

Exclusive Interview with Tom Glynn – Part 1 | Making of an Artist

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Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first  stepped foot in a sandpit. 

Artificial Intelligence on Art Investing

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The World Art News is continuing its art exploration of the World’s Leading Artificial Intelligence system ‘ChatGPT’. This time we decided to find out what AI knows about Art Investing. Keep in mind that this entire article was written by a machine, we just asked it the right questions and added some headlines.

“One of the main benefits of investing in art is its lack of correlation with the stock market. While the stock market may experience fluctuations, the art market has its own set of independent factors that can affect prices. This means that an investment in art can potentially provide a hedge against economic downturns.”

JDL Unveils 40-Metre Mural ‘Icarus’ in Rome to Raise Awareness for Environment

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Judith de Leeuw (JDL) – a well-known Dutch street artist who’s art appeared all over the world – has unveiled her imposing new 40-metre mural entitled “Icarus”, created for the Street Art for Rights Forum Festival on the north-east wall of the Corviale building in Rome, the famous “Serpentone”, one of the “most symbolic” walls in the capital. 

This new masterpiece – on one of the city’s largest walls – bears a reference to the myth of Icarus. Icarus is the man who, heedless of his own limitations, flew too close to the sun with wax wings and fell into the sea. A metaphor for a profit-blinded society that is heading for self-destruction, aiming to have the most today, heedless of the future. 

JACK OF THE DUST: Exclusive Interview with Andy Firth – Part 2 | The Artist

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Andy Firth is a self-taught Australian artist of the social generation, known for his signature canvas: the human skull. Capturing the gentle intricacies of lives once lived, Firth’s work has captivated an engaged audience of over 2.5 million people Worldwide! His clientele includes Joe Rogan, Slash, Jason Momoa, Chris Brown and Nikkie Tutorials.

For the past decade, Firth has remained widely anonymous under the title ‘Jack Of The Dust’. Established in a home garage in 2013, his operation’s alluring namesake is an 1800s Royal Navy term that represents Firth’s revival of characters, cultures and the stories that surround them. Firth has now grown ‘Jack of The Dust’ to a full-time crew of 15, and operates from two Burleigh Heads warehouses spanning 7500 square feet on Australia’s Gold Coast. ‘Jack of The Dust’ exists to crack through the limits of imagination on adventure, where the human experience is never truly dead! And with that being said, here’s Part 2 of our bone-chilling interview with Andy Firth.

‘PAINTING HER’ Exclusive Interview with Italian Hermetic – Claudio Giulianelli

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Claudio Giulianelli is an internationally recognized artist known for his romantically surrealistic oil paintings of Italian women in traditional costumes. He was born in Rome in 1956 and from the moment that Claudio could hold a pencil he began to draw. Now, many years later, Claudio’s colorful, bright, and delightful artworks can be found in many collections around the world. Throughout his life he meticulously studied the Old Masters as well as philosophers and mystics, and in the process became a master of the brush himself. The World Art News is pleased to share with you our exclusive interview with this fascinating artist.

JACK OF THE DUST: Exclusive Interview with Andy Firth – Part 1 | The Skull

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Andy Firth is a self-taught Australian artist of the social generation, known for his signature canvas: the human skull. Capturing the gentle intricacies of lives once lived, Firth’s work has captivated an engaged audience of over 2.5 million people Worldwide! His clientele includes Joe Rogan, Slash, Jason Momoa, Chris Brown and Nikkie Tutorials.

For the past decade, Firth has remained widely anonymous under the title ‘Jack Of The Dust’. Established in a home garage in 2013, his operation’s alluring namesake is an 1800s Royal Navy term that represents Firth’s revival of characters, cultures and the stories that surround them. Firth has now grown ‘Jack of The Dust’ to a full-time crew of 15, and operates from two Burleigh Heads warehouses spanning 7500 square feet on Australia’s Gold Coast.

A Modern Romantic: Reflections on the Art of Tom Glynn

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If some artists are born and others made, Tom Glynn is undoubtedly one of the former. Growing up in West Sussex in the 1950s and 60s, he possessed a voracious  aesthetic sensibility from the start. Not long after beginning at school, aged five,  he spent the best part of a week constructing an elaborate tunneled structure in a  sandpit – astonishing his teachers in the process. In subsequent years he fashioned  animals from plasticine, made assemblages from scavenged wood, sketched on  scraps of paper, and built miniature model theatres. As he grew older, Glynn became  interested in earlier artists, establishing what he has called a ‘lifelong friendship’  with the work of Picasso, Matisse, Arp and Brancusi. But his ambitions to become  a serious artist himself only crystallized at the age of fifteen, when he visited the  studio of the great post-war British sculptor, Robert Adams. Glynn even showed  the older artist some of his own creations, which Adams is said to have admired.