Michael Gavrieli presents five encaustic paintings made with beeswax, fire and 24-karat gold, offered together as The 24K Metal of the Kings Collection.
Michael Gavrieli presents five encaustic paintings made with beeswax, fire and 24-karat gold, offered together as The 24K Metal of the Kings Collection.
Digital drawing and creative technology are increasingly finding a place in early childhood education, giving young children new ways to experiment with colour, images, storytelling and design while also raising questions about screen time and appropriate use. Tablets, interactive displays and child-oriented creative applications are now being used alongside traditional materials such as paper, crayons and paint, allowing digital art to complement rather than replace hands-on artistic activities.
At first glance, the castle looks the same—unchanging, simple, gray. But the longer you linger, the more unsettling it becomes. Around it, entire worlds shift: seasons decay, skies warp, landscapes dissolve into something unrecognizable. And yet the structure stands, untouched, as if refusing to acknowledge the chaos closing in. For Nicola Vacca, this is not just a visual motif—it’s a line drawn against a world he no longer trusts. His paintings aren’t merely meant to be seen; they are a blueprint for escape, a quiet but defiant declaration that somewhere beyond the noise of modern life, a different way of existing might still be built.
On a warm July evening, in a quiet stretch of Clinton Street on the Lower East Side, Shwetlana Mehta’s work was presented to a New York audience. It was not marked by noise or spectacle, but rather by silence, shadows, and small details that invited close attention. In “Moving Through Uncertainty,” a group exhibition curated by Luman Jiang at Flowing Space Gallery, Mehta presented six linoleum prints that didn’t attempt to explain the world; they simply sat with its ambiguities. Her contribution stood alongside works by Wujian Wang and Dipa Halder, each artist navigating in their own visual language.
Step inside a centuries-old church where the walls glow, breathe, and transform before your eyes. In Inscriptions, Mexican artist Said Dokins turns sacred architecture into a living laboratory, blending invisible ink, bioluminescent pigments, and colonies of bacteria to question how memory, power, and presence are written into the urban landscape. Each piece—whether a luminous photograph traced in darkness or a petri dish of living microorganisms—invites viewers to witness writing as a biological and political act. In this fusion of art, science, and resistance, the city’s erased histories pulse back to life beneath the light.
Bruton + Co is proud to present its upcoming exhibition, ZERO and Beyond, at its Mayfair showroom. The exhibition will bring together works by some of the most influential and innovative international artists of the 20th and 21st Centuries, united by their radical exploration of the lightest colour, white, through masterful use of shade, texture, emotion and surface. The show opens on the 9th October 2025 and will be on view until the end of the year.
In Youwei Luo’s world, photographs don’t simply capture moments—they dissolve them, stretch them, and return them as dreamlike echoes of memory and light. His work hovers at the threshold between presence and absence, weaving technology, texture, and poetry into experiences that feel at once intimate and infinite. Each piece resists easy definition, asking us not just to look, but to linger.
For years, Edric Beck has cultivated a practice that defies convention and invites contemplation. He is a sculptor of silence, a craftsman of frequency—a jeweler turned mosaicist whose art is less about ornament and more about offering. His pieces are not produced; they are revealed—slowly, deliberately—through a process as meditative as it is exacting. To encounter Edric’s work is to enter a different rhythm, one where beauty is born of stillness and form arises from deep listening. He is not here to make a statement. He is here to create presence. And in that presence, something profound begins to unfold.
Born into the shadows of political unrest in communist Poland, artist Kasia Muzyka’s earliest years were shaped by silence, resistance, and the emotional hush of survival. Yet from that silence emerged a powerful inner world—one that would later blossom into a deeply intuitive artistic practice. In this intimate interview, Muzyka reflects on her journey from early creative expression to profound inner collapse and, ultimately, to a sacred reawakening through painting. Her work defies categorization, blending mysticism, quantum philosophy, and ancient wisdom into “living transmissions” — pieces that breathe, speak, and transform. As she prepares for her upcoming solo exhibition The Sacred Condition of Being, Muzyka opens a window into the forces that shaped her, the materials that move her, and the mystery she invites us all to feel.
Laurita describes her artistic impulse as an unavoidable force that invades her soul, demanding expression through poetry, prose, and painting. She perceives art as a paradoxical shadow—both luminous and mysterious—that penetrates the depths of the mind, seeking new forms of beauty and meaning. Her artistic journey is guided by an insatiable quest for spiritual and intellectual elevation, a theme that recurs throughout her extensive literary and visual portfolio.