Exclusive Interview with Hollywood Actor & Award-Winning Artist Dave Vescio – Part 4 | Art, Money & FutureRare $1 Million Japanese Whisky Collection to Hit the Auction Block in ParisZdzisław Beksiński’s Artwork Fetches Nearly €100,000 at Surrealist Sale in ParisExclusive Interview with a Multi-Artist Annamaria Johansson – Part 2
Maurice Leloir’s Four Historical Scenes Sell for €128,600 at BonhamsJacob Jordaens’s Portrait of His Wife Sells for €154,200 at BonhamsRenaissance Portrait Attributed to Conrad Faber Sells for €295,000 at BonhamsJodi the Nanotyrannus Sells for US$47.3 Million at Sotheby’sQianlong Emperor’s Jewel-Encrusted Gold Ewer Sells for US$7.11 Million at Christie’sHockney’s €282,200 Print Leads Warhol and Banksy in €1.06 Million Bonhams SaleMV Agusta Sells for $1.3 Million, Setting an Italian Motorcycle Auction RecordEnigma Machine Sells for £203,600 at Bonhams: Inside the 1941 Cipher DeviceUzo Egonu’s Will Knowledge Safeguard Freedom I Sets Auction Record at £198,900Yusuf Grillo’s One Man Band Sets Artist Auction Record at £461,300Ben Enwonwu’s Anyanwu Sells for £602,100, Setting a Sculpture Record at BonhamsRare Gandhi Portrait Achieves £152,800, Tripling Its EstimateBanksy’s British Cool Mickey Snake Triumphs at Bonhams, Selling for £330,600Whistler’s First Portrait Commission Sells for Five Times Estimate, Fetching $495,000Bridget Riley Stuns Art World as Myrrh Soars to $2.36M at Bonhams

Renaissance

Features on Renaissance artists and works, including Botticelli, Raphael, Donatello and Leonardo da Vinci. Coverage brings together art history, conservation questions, reported discoveries and attribution discussions, examining how earlier works are studied and interpreted today.

Why Demand for Renaissance Art Remains Strong: Money, Mystery and the Power of Rediscovery

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Editorial illustration of Leonardo da Vinci’s portrait beside a jeweled cup, bronze equestrian sculpture, manuscript and auction gavel.

Renaissance art continues to attract extraordinary spending, from Leonardo’s US$450.3 million Salvator Mundi to major Botticelli and Raphael sales. Drawing on WAN’s reporting, Albert Chen explores the money, discoveries, restoration debates and cultural fascination behind the market. The story reaches beyond auction records to explain why these centuries-old works still hold collectors and audiences in their grip.

Simonetta Vespucci Restores the Identity of Botticelli’s Lost Altarpiece

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Detail of the San Leo Altarpiece

After more than four years of meticulous restoration, a long-overlooked Renaissance altarpiece has reemerged in stunning detail—now believed by experts to be the work of none other than Sandro Botticelli. Hidden beneath centuries of retouching and misattribution, the Madonna Enthroned with Child among Saints from San Leo is captivating art historians with its unmistakable style and mysterious past. One scholar even suggests the flanking saints may once have been portraits of Pico della Mirandola and Poliziano. The full story uncovers how this masterpiece journeyed through time, hands, and ideologies—only to be seen anew today.

Eliana P. Gómez Uncovers Hidden Inscriptions in Leonardo da Vinci’s Works

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Il Cristo di Lecco collage showing a drawn face above enlarged eye and marking details.

Hidden within the masterpieces of Leonardo da Vinci lies a mystery that has intrigued scholars for centuries. Art researcher Eliana P. Gómez has uncovered subtle yet significant details—inscriptions, markings, and symbols—that may shed new light on the artist’s methods and intentions. Her latest findings in Salvator Mundi and La Gioconda reveal overlooked elements that could reshape our understanding of Da Vinci’s genius. Discover how these revelations are changing the way we see some of the world’s most famous artworks.

Sandro Botticelli: The Renaissance Visionary Who Painted the Soul

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Detail of Botticelli’s Venus and Mars showing a reclining man, a shell held near his head and a small figure beside armor.

Sandro Botticelli, widely regarded as a master of the Italian Renaissance, has been described as the “Dante of painting,” a comparison made by art historian Annalisa Di Maria. Just as Dante Alighieri captured the complexity of human emotions in his poetry, Botticelli conveyed spiritual depth and intellectual ideas through his artwork. Central to his artistic philosophy was the Neoplatonic school, a 15th-century intellectual movement in Florence that deeply influenced his thought. This school, rooted in ancient philosophy, played a critical role in shaping the cultural landscape of Florence during that time.

Where is Salvator Mundi? World’s Most Expensive Painting Set to Become Saudi Arabia’s Crown Jewel in Billion-Dollar Museum Gamble

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Detail of Salvator Mundi by Leonardo da Vinci, showing the face, raised hand and blue robe.

Recent reports suggest that Leonardo da Vinci’s elusive ‘Salvator Mundi’ painting may soon re-emerge as the centerpiece of a new museum in Riyadh, Saudi Arabia. The painting’s purchase by Saudi Crown Prince Mohammed bin Salman, widely known as MBS, was initially shrouded in secrecy, with his identity as the buyer only revealed through subsequent media reports. Since then, rumors have swirled about the painting’s location, with some speculating that it was being housed on MBS’s luxury yacht, the “Serene.”

Rediscovered Renaissance: Parmigianino’s Hidden Drawing Unveiled in Bologna

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Holy Family drawing on tan paper, with a seated figure holding a child beneath drapery and another child at lower right.

Amid the gathering of esteemed institutions and dignitaries, a significant revelation took center stage: an unpublished drawing, measuring 18.9 cm by 17.7 cm, depicting a holy family. This masterpiece, hailing from the esteemed collection of Emile Calando, was presented by a prominent Bolognese company. Notably, this drawing had once shared a space with works by titans like Michelangelo and Raphael and was now speculated to be a rare gem from Parmigianino’s early Roman period, reflecting clear Mannerist undertones.

Groundbreaking study on Leonardo da Vinci’s red chalk drawing reveals the face of Federico da Montefeltro

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Close-up of a reddish drawing of a man with long wavy hair and a beard.

The International Conference, Leonardo The Immortal Light, held at Palazzo Li Madou in Ancona, unveiled a groundbreaking study on Leonardo da Vinci’s red chalk drawing, revealing that it depicted the features of Federico da Montefeltro, the Duke of Urbino. The event, now in its 30th edition, explored Leonardo’s genius through scientific research, philosophy, and art, with renowned experts presenting their findings. The conference also highlighted the role of Neoplatonism during the Renaissance, the symbolism employed by Federico at his court, and the anatomical details of the drawing. The event culminated in the awarding of the prestigious Leonardo International Award to the Marche Region for its commitment to culture, tourism, and sustainability. The discoveries made during the conference underscored the profound connection between the Marches and Leonardo’s works, emphasizing the need for a new humanism that unites spirituality and intellectual achievements. The event serves as a catalyst for cultural rebirth, inspiring further research and appreciation of Leonardo’s legacy, while envisioning a future where art, science, and philosophy intertwine to shape a harmonious society.

Deposition of Christ by Donatello – The Mystery of a Restoration

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Detail of Donatello's Deposition of Christ relief, with mourners gathered around Christ above a decorated tomb.

We learned from the press that the Pontifical Delegation for the Basilica of Saint Anthony of Padua appointed a scientific committee composed of four scholars to evaluate the conservation and restoration program of the “Equestrian Statue of Gattamelata” which stands out in the square adjacent to the Basilica of Padua.

Since 2020, Ce.St.Art and the association Territori have conceived, promoted, and presented a far-reaching project which covers not only the restoration of the “Gattamelata Statue” but above all the restoration of the “Deposition of Christ” by Donatello stored inside the Basilica and which, while representing an absolute masterpiece of the Italian Renaissance, is in a questionable condition.