Category: Modern Art

Latest World Art News about Modern and Contemporary Art

1960s Portraits of Famous Artists by Renowned TIME & LIFE Magazines Photographer Ben Martin are Now on View at Artplex Gallery, LA

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Ben Martin (1930-2017) covered wars, fashion, politics, arts, business and sports for Time, Life, Fortune, People and Sports Illustrated for thirty-three years. He covered Martin Luther King during the Selma to Montgomery Civil Rights March, took the infamous sweaty five-o’clock shadow photograph of Richard Nixon during the Kennedy-Nixon TV debates in 1960 that Nixon claimed cost him the election, and photographed Time’s now famous “Swinging London” cover story. He photographed major cover essays on the 25th anniversary of D-Day in Normandy and 40th anniversaries of Pearl Harbor and Hiroshima, the Mozambique civil war from both the rebel and Portuguese sides and an arctic expedition to the North Pole. His photograph of President John F. Kennedy’s funeral led to a Life magazine cover, and his coverage of Pope Paul’s trip to the Holy Land was a cover feature in Time.

What’s Wrong With “Buying Local” When It Comes to Art?

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It seems that the modern art world wants the artist to be restricted to the haul and carry, booth setup, travel, out of town hotel expenses, adverse weather, damage to artwork, and watch the crowds meander by art show circuit rather than using local art for interior decorating or serious art show displays in art centers or galleries. Communities like art shows that draw crowds and money into their area, and seem determined to keep the art show circuit working to their own advantage.  

French Restorer & Furniture Maker, Didier Guenard, Tells His Story of Creativity and Innovation

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The different woods used in this piece were turned, sculpted, and include marquetry. It had six drawers, one cylindrical with a sprung ejection mechanism that can be used to store a bottle, and another with a retractable curtain closing. Pushing the button made of boxwood burl makes the midnight blue writing table advance, revealing a half-cylindrical pen holder. Opening the door with the horn handle reveals partitions and two small drawers with varnished interiors. It goes without saying that this piece also contains a secret space … location of which must remain a secret!

The Bomb Factory Art Foundation Presents Mat Collishaw’s Latest Series of Works Including Sentiment Analysis, Animatronic Sculptures, Optical Illusions and Paintings

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The Bomb Factory Art Foundation is pleased to present All Things Fall, a solo exhibition featuring the work of contemporary British artist Mat Collishaw, from April 20th, 2023, to May 21st, 2023. The exhibit will be held at Bomb Factory Art Foundation’s newest building in Marylebone.

Mat Collishaw is one of the most significant and compelling artists in contemporary British art. With an early foundation at Goldsmiths College, Collishaw formed part of the legendary movement of Young British Artists. He was one of 16 young artists who participated in the seminal Freeze exhibition organized by Damien Hirst in 1988 as well as the provocative Sensation show of 1997. 

Exclusive Interview with Tom Glynn – Part 4 | As A Man Thinketh

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Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. 

HOLLYWOOD BY MATEO BLANCO – Celebrating 100 Years of the Original Marker for La La Land 

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Mateo Blanco, a Colombian American artist who lives in Miami, has had a longtime interest in expressing the lure of Hollywood. He has explored the power of the image and fame in his highly original portraits of  iconic screen sirens like Jennifer Lawrence, whose portrait he recreated using peanuts, Madonna, Dolly Parton and many Marvel superheroes, Avatar characters  as well as beloved Star War characters.

In his latest piece, HOLLYWOOD BY MATEO BLANCO, we can see how the stark white background gives power to the image: white, the color of Marilyn Monroe’s dress; white, the color of the lights that shine and make movies possible; white, the first word uttered when the director begins to shoot; white, the color of the gleaming smiles, the diamonds, the very screen on which all our dreams and movies are projected.

Exclusive Interview with Tom Glynn – Part 3 | Taking Care of Business

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How much do your paintings cost? “My paintings range in size, theme and medium and whilst I make very large and small paintings, the price can vary considerably. A small  painting may take me one to two weeks to complete, while a very large  painting will evolve over one to two months and involve more materials. Typically, I have sold A5 to A4 paintings from $5,000 to $8,000 (dependent upon the dealer or gallery commission) and very large ones from $10,000 to $15,000. My paintings will also be valued against my expertise, experience and reputation and of course every piece I make is unique and continues to increase in value. With regards to my sculptures and assemblages, prices are on application.”

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. – Dr. James Fox | British Art Historian & Broadcaster

Exclusive Interview with Veronica Winters – Part 1 | Symbolic Precision

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Veronica Winters is one of those rare professionals who can paint stunning beauty with near-perfection. Her precise, colorful, and highly imaginative style often leaves the viewer speechless. It isn’t easy nowadays to find an artist who is still following in the footsteps of the Old Masters and is putting in the time to create works of truly fine contemporary art. For this reason, right before International Women’s Day, The World Art News is pleased to publish Part 1 of our Exclusive Interview with Veronica. So, without further ado, let’s begin!

ANTOINETTE: Altar of Europa 3.0 – Art Museum in the Metaverse | INVITATION

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The artist ANTOINETTE, together with her technology partner BizzTech, have created a photorealistic museum space of  unprecedented image quality in the Metaverse for the ALTAR of EUROPA. The ALTAR of EUROPA is a real existing, 100m2 drawing consisting of millions of individual pencil strokes created by ANTOINETTE during three years of work . The image density of this monumental work of art is an ideal example to demonstrate the power of the browser-based multi-polygon technology used. In the digital world, every detail of the drawing becomes visible and perspectives and sections can be explored that would not be accessible when visiting the physical exhibition. In this virtual space, museum visitors, regardless of their location, meet with their digital twins, their avatars. With their avatars and an integrated translation tool, visitors can communicate about what they see and what moves them, without being restricted by language barriers. 

Exclusive Interview with Tom Glynn – Part 2 | Assembling Life

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What makes your art unique? “My paintings, sculptures and assemblages are potentially unique as I explore the narrative of everyday events and issues, historical journeys, the paradox of objects and the abstract qualities of both landscape and  the built environment. Direct responses to landscape are significant recurring themes. I work with a multitude of found objects, materials and  techniques within the scope of painting and sculpture, in order to harness the mystery and visual excitement created by juxtaposition, visual memory and spatial configurations – the surrealist and dada  placement of objects and images. Themes and visual ideas often  explore incongruity, archaeological qualities, visual ambiguity, pictorial and real space, political irony, symbol and humour, resulting in a wide  range of outcomes made from expressively applied paint, collage,  assemblage, wood and objets trouvés that yield a profusion of colour, texture, form and spatial complexities.”