Modern Art

Modern and contemporary art, with artist stories, exhibitions, discoveries, and market news.

Instagram sensation Dan Lam’s fantastical, technicolor sculptures are on exhibit at the McNay Art Museum show Beyond Reality

Internationally acclaimed, prominent contemporary artist and social media Influencer; Dan Lam is an artist based out of Texas, US. Lam’s sculptural work expresses and plays with sensational dichotomies by combining unconventional materials, organic forms, and bright colors. With contrasting themes verging on beauty and grotesqueness at once, Lam’s art provokes its viewers to ponder meaning and existence while inspiring feelings of familiarity and wonder. Curiosity, play, and fun are the foundation of where Lam’s work begins. Her experimentation results in beautiful sculptures created with various materials such as foams, polyurethanes, resins, acrylics, and polymers, which defines her style. She has exhibited worldwide, and celebrity clients include Miley Cyrus, Demi Lovato, The Game, and Lily Aldridge.

Exclusive Interview with German Sculptor & Videographer freaky-Deek | Part 3

Tank Girl cover artwork by freaky-Deek

Freaky-Deek is a talented sculptor and videographer hailing from the Black Forest region in Germany. He has been showcasing his work in various galleries, exhibitions, and social media platforms. Having grown tired of just typing on a keyboard, freaky-Deek decided to dive into his creative passion and start his own business. As a former figurine collector, he wanted to create something truly unique and dynamic. So, he combined his electronics skills with his love for art and crafted sculptures with added features such as lights and sound. Recently freaky-Deek embarked on a new journey with the creation of a one-of-a-kind polymer clay cyborg sculpt, known as Project AD-01.

What’s Wrong With “Buying Local” When It Comes to Art?

Textured purple and pink flowers among green foliage, by Barbara Smits.

It seems that the modern art world wants the artist to be restricted to the haul and carry, booth setup, travel, out of town hotel expenses, adverse weather, damage to artwork, and watch the crowds meander by art show circuit rather than using local art for interior decorating or serious art show displays in art centers or galleries. Communities like art shows that draw crowds and money into their area, and seem determined to keep the art show circuit working to their own advantage.  

French Restorer & Furniture Maker, Didier Guenard, Tells His Story of Creativity and Innovation

Top view of Diaposaurus by Didier Guenard

The different woods used in this piece were turned, sculpted, and include marquetry. It had six drawers, one cylindrical with a sprung ejection mechanism that can be used to store a bottle, and another with a retractable curtain closing. Pushing the button made of boxwood burl makes the midnight blue writing table advance, revealing a half-cylindrical pen holder. Opening the door with the horn handle reveals partitions and two small drawers with varnished interiors. It goes without saying that this piece also contains a secret space … location of which must remain a secret!

The Bomb Factory Art Foundation Presents Mat Collishaw’s Latest Series of Works Including Sentiment Analysis, Animatronic Sculptures, Optical Illusions and Paintings

Insilico by Mat Collishaw: an animatronic stag skeleton on a mechanical platform.

The Bomb Factory Art Foundation is pleased to present All Things Fall, a solo exhibition featuring the work of contemporary British artist Mat Collishaw, from April 20th, 2023, to May 21st, 2023. The exhibit will be held at Bomb Factory Art Foundation’s newest building in Marylebone.

Mat Collishaw is one of the most significant and compelling artists in contemporary British art. With an early foundation at Goldsmiths College, Collishaw formed part of the legendary movement of Young British Artists. He was one of 16 young artists who participated in the seminal Freeze exhibition organized by Damien Hirst in 1988 as well as the provocative Sensation show of 1997. 

Exclusive Interview with Tom Glynn – Part 4 | As A Man Thinketh

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. 

HOLLYWOOD BY MATEO BLANCO – Celebrating 100 Years of the Original Marker for La La Land 

Hollywood artwork by Mateo Blanco, photographed by Juan Tena

Mateo Blanco, a Colombian American artist who lives in Miami, has had a longtime interest in expressing the lure of Hollywood. He has explored the power of the image and fame in his highly original portraits of  iconic screen sirens like Jennifer Lawrence, whose portrait he recreated using peanuts, Madonna, Dolly Parton and many Marvel superheroes, Avatar characters  as well as beloved Star War characters.

In his latest piece, HOLLYWOOD BY MATEO BLANCO, we can see how the stark white background gives power to the image: white, the color of Marilyn Monroe’s dress; white, the color of the lights that shine and make movies possible; white, the first word uttered when the director begins to shoot; white, the color of the gleaming smiles, the diamonds, the very screen on which all our dreams and movies are projected.

Exclusive Interview with Tom Glynn – Part 3 | Taking Care of Business

Detail of Tom Glynn's Landscape Box, showing horizontal corrugated layers in blue, red, green and yellow.

How much do your paintings cost? “My paintings range in size, theme and medium and whilst I make very large and small paintings, the price can vary considerably. A small  painting may take me one to two weeks to complete, while a very large  painting will evolve over one to two months and involve more materials. Typically, I have sold A5 to A4 paintings from $5,000 to $8,000 (dependent upon the dealer or gallery commission) and very large ones from $10,000 to $15,000. My paintings will also be valued against my expertise, experience and reputation and of course every piece I make is unique and continues to increase in value. With regards to my sculptures and assemblages, prices are on application.”

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. – Dr. James Fox | British Art Historian & Broadcaster

Exclusive Interview with Veronica Winters – Part 1 | Symbolic Precision

Portrait by Veronica Winters of a woman with green eye makeup against a dark, eye-patterned background.

Veronica Winters is one of those rare professionals who can paint stunning beauty with near-perfection. Her precise, colorful, and highly imaginative style often leaves the viewer speechless. It isn’t easy nowadays to find an artist who is still following in the footsteps of the Old Masters and is putting in the time to create works of truly fine contemporary art. For this reason, right before International Women’s Day, The World Art News is pleased to publish Part 1 of our Exclusive Interview with Veronica. So, without further ado, let’s begin!

ANTOINETTE: Altar of Europa 3.0 – Art Museum in the Metaverse | INVITATION

Avatar facing the curved glass exterior of ANTOINETTE's Altar of Europa 3.0 virtual museum.

The artist ANTOINETTE, together with her technology partner BizzTech, have created a photorealistic museum space of  unprecedented image quality in the Metaverse for the ALTAR of EUROPA. The ALTAR of EUROPA is a real existing, 100m2 drawing consisting of millions of individual pencil strokes created by ANTOINETTE during three years of work . The image density of this monumental work of art is an ideal example to demonstrate the power of the browser-based multi-polygon technology used. In the digital world, every detail of the drawing becomes visible and perspectives and sections can be explored that would not be accessible when visiting the physical exhibition. In this virtual space, museum visitors, regardless of their location, meet with their digital twins, their avatars. With their avatars and an integrated translation tool, visitors can communicate about what they see and what moves them, without being restricted by language barriers.