“Sovrimpressioni” A Photographic Project by Andrea BoyerExclusive Interview with Veronica Winters – Part 1 | Symbolic PrecisionDESIGNER VIVARIUM at GEMGENÈVE 2022 – Showcasing Innovative International JewelersUltra-Rare Pre-Revolution 1652 Massachusetts Silver Threepence Coin Shatters World Records with $2.5 Million Sale
Maurice Leloir’s Four Historical Scenes Sell for €128,600 at BonhamsJacob Jordaens’s Portrait of His Wife Sells for €154,200 at BonhamsRenaissance Portrait Attributed to Conrad Faber Sells for €295,000 at BonhamsJodi the Nanotyrannus Sells for US$47.3 Million at Sotheby’sQianlong Emperor’s Jewel-Encrusted Gold Ewer Sells for US$7.11 Million at Christie’sHockney’s €282,200 Print Leads Warhol and Banksy in €1.06 Million Bonhams SaleMV Agusta Sells for $1.3 Million, Setting an Italian Motorcycle Auction RecordEnigma Machine Sells for £203,600 at Bonhams: Inside the 1941 Cipher DeviceUzo Egonu’s Will Knowledge Safeguard Freedom I Sets Auction Record at £198,900Yusuf Grillo’s One Man Band Sets Artist Auction Record at £461,300Ben Enwonwu’s Anyanwu Sells for £602,100, Setting a Sculpture Record at BonhamsRare Gandhi Portrait Achieves £152,800, Tripling Its EstimateBanksy’s British Cool Mickey Snake Triumphs at Bonhams, Selling for £330,600Whistler’s First Portrait Commission Sells for Five Times Estimate, Fetching $495,000Bridget Riley Stuns Art World as Myrrh Soars to $2.36M at Bonhams

Art Collection

Art collections and the people, ideas, and histories that bring works together. Features cover private collections, public displays, collecting decisions, and notable groups of objects appearing at auction.

From War to War: Private Collection Spanning Berlin Wall to Ukraine Debuts in Major Exhibition Exploring Trauma and Memory

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Erik Bulatov, Untitled, 1990: two figures raising a hammer and sickle against red and blue clouds.

Art from War to War: Chasing Butterflies on the Verge of a Cliff, which opened on May 29, 2026 at Beck & Eggeling gallery, marks the first public presentation of selected works from the private collection of Kyiv-born collector Valeria Rodnianski. The exhibition features works by Georg Baselitz, Anselm Kiefer, Sigmar Polke, Ilya Kabakov, Boris Mikhailov, Irina Nakhova, A.R. Penck and other influential artists whose careers emerged amid the political and cultural upheavals of postwar Europe and the Soviet sphere.

A Map of the Human Voice: Neel Khokhani and the Epochal Collection

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Neel Khokhani wearing a pink shirt beside a colorful abstract artwork.

Most collections tell you who matters. The Epochal Collection asks a different question: what remains of us when the systems that rank, categorize, and increasingly imitate human beings have finished their work? By placing canonical figures beside artists whose careers are only beginning, and voices from the cultural center beside those long excluded from it, Neel Khokhani has assembled something stranger than a collection and more ambitious than a survey. It is a record of human expression at a moment when the meaning of being human is itself being renegotiated. Across paintings, sculptures, textiles, and even works made with breath as a material, a pattern emerges—one that turns a private collection into a cultural argument about memory, identity, mortality, and the future now arriving at our doorstep.

Ma Weidu: Scholar of the Past, Craftsman of the Present – An Interview on Collecting, Cultural Practice and Responsibilities of Our Time

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Ma Weidu in a white stand-collar jacket against a blue backdrop.

At a moment when cultural institutions worldwide struggle to define their purpose, Ma Weidu stands as a rare figure—part scholar, part craftsman—quietly reshaping what it means to care for the past. From founding China’s first private museum to rescuing stray cats who became unlikely cultural icons, his journey reveals how one person’s integrity can transform an entire heritage landscape. His story is not only about collecting antiquities, but about restoring warmth, responsibility, and meaning to a rapidly changing world—an invitation to step inside a life where culture becomes a way of being.

Restoration Without Reflection: Author Neil Thomas Proto on Vermeer, Helen Frick, and the Lost Art of Moral Imagination

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Cropped cover of Neil Thomas Proto’s Johannes Vermeer, Provocateur: Risk and Courage in Dissent.

The newly reopened and renovated Frick Collection—once the New York home of the Henry Clay Frick family—was celebrated, in part, through the thematic exhibition (June 18–September 8) of three paintings by the Dutch artist Johannes Vermeer. Titled “Vermeer’s Love Letters,” the exhibition melds aesthetically into the building’s subtly retained grandeur. But not into Henry Clay Frick’s history and that of the people who once lived in the home, especially his daughter Helen, who battled with John D. Rockefeller Jr. publicly, privately, and in courts of law to preserve her father’s original purpose for the Collection. And the exhibition does not meld aesthetically into Johannes Vermeer’s purpose. Neither the theme of the exhibit nor the titles of the three paintings were provided by Vermeer, reflect his imperatives, or describe the paintings’ content.

Mateo Blanco Builds Cross-Cultural Legacy Through Art and Collecting

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Mateo Blanco resting an arm on a red sofa, with framed artworks behind him.

Mateo Blanco is weaving a legacy that transcends borders—both in the art he creates and the masterpieces he collects. Known for transforming everyday materials into powerful flag artworks now housed in major American museums, Blanco is also building a remarkable private collection of Latin American art that honors his heritage. With works by legends like Fernando Botero and Débora Arango, and a new focus on American artists, his collection tells a deeply personal story of identity, culture, and evolution.