Vian Borchert: Visionary Expressions in Turquoise AbstractionsDESIGNER VIVARIUM at GEMGENÈVE 2022 – Showcasing Innovative International JewelersWomen in Art: A glimpse into Central & Eastern EuropeMagnificent Japanese Inlaid Jar from the Meiji Era Sells for $146,000
Maurice Leloir’s Four Historical Scenes Sell for €128,600 at BonhamsJacob Jordaens’s Portrait of His Wife Sells for €154,200 at BonhamsRenaissance Portrait Attributed to Conrad Faber Sells for €295,000 at BonhamsJodi the Nanotyrannus Sells for US$47.3 Million at Sotheby’sQianlong Emperor’s Jewel-Encrusted Gold Ewer Sells for US$7.11 Million at Christie’sHockney’s €282,200 Print Leads Warhol and Banksy in €1.06 Million Bonhams SaleMV Agusta Sells for $1.3 Million, Setting an Italian Motorcycle Auction RecordEnigma Machine Sells for £203,600 at Bonhams: Inside the 1941 Cipher DeviceUzo Egonu’s Will Knowledge Safeguard Freedom I Sets Auction Record at £198,900Yusuf Grillo’s One Man Band Sets Artist Auction Record at £461,300Ben Enwonwu’s Anyanwu Sells for £602,100, Setting a Sculpture Record at BonhamsRare Gandhi Portrait Achieves £152,800, Tripling Its EstimateBanksy’s British Cool Mickey Snake Triumphs at Bonhams, Selling for £330,600Whistler’s First Portrait Commission Sells for Five Times Estimate, Fetching $495,000Bridget Riley Stuns Art World as Myrrh Soars to $2.36M at Bonhams

Assemblage Art

Artists combine objects, materials and fragments to create works with new relationships and meanings. Interviews and exhibition reports explore assemblage, including Tom Glynn’s practice, mixed materials and the boundaries between sculpture, textiles and constructed images.

FRAGMENTS: The Merchant House / Your House presents New Summer Exhibition featuring Pino Pinelli, Elsa Tomkowiak, Zhu Hong, Sylvie Bonnot, and André Stempfel

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Pittura R by Pino Pinelli: two textured red loop forms mounted on a white wall.

What happens when a painting refuses to stay within its frame? This summer, The Merchant House transforms its historic Amsterdam canal house into a conversation between art, architecture, and domestic space. In Fragments, works by Pino Pinelli, Elsa Tomkowiak, Zhu Hong, Sylvie Bonnot, and André Stempfel spill across walls, challenge traditional materials, and blur the boundaries between gallery and home. From oversized painted zip bags to photographic spiders enlarged to unsettling beauty, the exhibition invites visitors to piece together their own connections across a series of striking visual encounters.

In Celebration of the American Spirit: Boca Raton Museum of Art Presents a Special Presentation & Workshop on American Flags by Mateo Blanco

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A man holding a framed American flag artwork in front of a leafy hedge.

2024 marks a pivotal year in American society and at the Boca Raton Museum of Art as they celebrate their 75th anniversary. To ignite the American spirit, the Museum proudly welcomes artist Mateo Blanco. Known for his unique renditions of the American flag using uncommon textiles and materials, Blanco will present another artistic twist on “Old Glory” at the Boca Raton Museum of Art in celebration of Labor Day. On Saturday, August 31, 2024, from 12:00 to 4:00 pm, Blanco will host an in-gallery workshop, Creation Station, where visitors are invited to create their own personalized American flag art.

Exclusive Interview with Renowned Slovenian Contemporary Artist Michael Gregorjev Murn | Part 2

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A man in a black tuxedo and bow tie gestures while speaking with two other men.

Welcome to Part 2 of our exclusive interview with Michael Gregorjev Murn, a renowned Slovenian contemporary artist celebrated for his innovative approach and diverse use of mediums. In this continuation, Murn delves deeper into the distinctive elements that define his artistry, sharing insights into his creative process, his experiences with unconventional materials, and his perspectives on the art world. Join us as we explore the themes and inspirations behind Murn’s vibrant and thought-provoking works, and gain a closer look at the unique practices that make his art truly exceptional.

‘The Fabric of Bell’ an Art Collection by npz studio+ and Sebastien Courty at Bell Works in Holmdel, NJ Honors its Profound and Special History

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Detail of multicolored woven cables in The Fabric of Bell by Sebastien Courty.

Paola Zamudio of npz studio+ wanted to elevate the arts to new heights in celebration of the iconic Bell Works to honor the building’s rich history of innovation, so as the Lead Designer and Creative Director of Bell Works, she brought on friend and New York-based artist, Sebastien Courty for an unforgettable project. Amazed by the building’s grandeur and stylistic architecture, they were soon commissioned thereafter by Ralph Zucker, in honor of Jozef and Jonathan Straus, to create The Fabric of Bell, a subcollection from the in-house art collection of Totem, A Wall’s Jewelry. Inspired and commemorating the historic original Bell Labs, which was previously a research facility and awarded eight Nobel prizes during its tenure, the project was an innate expression and tribute to Eero Saarinen, the architect of the lavish Bell Works building.

GOING BEYOND – Pushing the Boundaries of Textiles and Ceramics at Taste Contemporary

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Folded terracotta sculpture in the foreground of Going Beyond, with blue ceramics and textile artworks behind it.

Taste Contemporary is thrilled to present “Going Beyond,” a captivating two-person exhibition that showcases the extraordinary works of textile artist Michael Brennand-Wood and ceramic artist Anne Marie Laureys. These two artists, who have been closely associated with the gallery since its inception, are known for their ability to transcend the conventional and redefine the possibilities of their chosen materials. Held at Cromwell Place in London, this remarkable exhibition opened to the public on May 30th and will continue until June 4th, 2023.

Exclusive Interview with Tom Glynn – Part 4 | As A Man Thinketh

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Autumn Landscape by Tom Glynn, with sloping blue, black, green and yellow bands inside an irregular red and orange frame.

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. 

Exclusive Interview with Tom Glynn – Part 3 | Taking Care of Business

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Detail of Tom Glynn's Landscape Box, showing horizontal corrugated layers in blue, red, green and yellow.

How much do your paintings cost? “My paintings range in size, theme and medium and whilst I make very large and small paintings, the price can vary considerably. A small  painting may take me one to two weeks to complete, while a very large  painting will evolve over one to two months and involve more materials. Typically, I have sold A5 to A4 paintings from $5,000 to $8,000 (dependent upon the dealer or gallery commission) and very large ones from $10,000 to $15,000. My paintings will also be valued against my expertise, experience and reputation and of course every piece I make is unique and continues to increase in value. With regards to my sculptures and assemblages, prices are on application.”

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. – Dr. James Fox | British Art Historian & Broadcaster

Exclusive Interview with Tom Glynn – Part 2 | Assembling Life

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Stonehenge 8 by Tom Glynn, with standing stones, a butterfly and textured bands of orange, yellow and pink.

What makes your art unique? “My paintings, sculptures and assemblages are potentially unique as I explore the narrative of everyday events and issues, historical journeys, the paradox of objects and the abstract qualities of both landscape and  the built environment. Direct responses to landscape are significant recurring themes. I work with a multitude of found objects, materials and  techniques within the scope of painting and sculpture, in order to harness the mystery and visual excitement created by juxtaposition, visual memory and spatial configurations – the surrealist and dada  placement of objects and images. Themes and visual ideas often  explore incongruity, archaeological qualities, visual ambiguity, pictorial and real space, political irony, symbol and humour, resulting in a wide  range of outcomes made from expressively applied paint, collage,  assemblage, wood and objets trouvés that yield a profusion of colour, texture, form and spatial complexities.”

Exclusive Interview with Tom Glynn – Part 1 | Making of an Artist

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Landscape with Pink Lake by Tom Glynn, a colorful textured assemblage with a pink circular form.

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first  stepped foot in a sandpit.