Tag: Sculpture

The Bomb Factory Art Foundation Presents Mat Collishaw’s Latest Series of Works Including Sentiment Analysis, Animatronic Sculptures, Optical Illusions and Paintings

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The Bomb Factory Art Foundation is pleased to present All Things Fall, a solo exhibition featuring the work of contemporary British artist Mat Collishaw, from April 20th, 2023, to May 21st, 2023. The exhibit will be held at Bomb Factory Art Foundation’s newest building in Marylebone.

Mat Collishaw is one of the most significant and compelling artists in contemporary British art. With an early foundation at Goldsmiths College, Collishaw formed part of the legendary movement of Young British Artists. He was one of 16 young artists who participated in the seminal Freeze exhibition organized by Damien Hirst in 1988 as well as the provocative Sensation show of 1997. 

Exclusive Interview with Tom Glynn – Part 3 | Taking Care of Business

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How much do your paintings cost? “My paintings range in size, theme and medium and whilst I make very large and small paintings, the price can vary considerably. A small  painting may take me one to two weeks to complete, while a very large  painting will evolve over one to two months and involve more materials. Typically, I have sold A5 to A4 paintings from $5,000 to $8,000 (dependent upon the dealer or gallery commission) and very large ones from $10,000 to $15,000. My paintings will also be valued against my expertise, experience and reputation and of course every piece I make is unique and continues to increase in value. With regards to my sculptures and assemblages, prices are on application.”

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. – Dr. James Fox | British Art Historian & Broadcaster

PROJECT AD-01 Combines Art and Technology – Crowdfunding Campaign Launches 

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Between dystopia and humourism – ChatGPT is on everyone’s lips, AI has already moved into most households, digitalization is advancing more massively than ever and radically changing the way we live  together. With Project AD-01, the fictional company Xetashell Corporation around musician Laura Dre and sculptor freaky-Deek has launched their first Kickstarter campaign today that is now bringing together technological progress and genuine craftsmanship. The campaign focuses on the specially handcrafted Android busts and the release of Laura Dre’s soundtrack, which combines musical finesse with futuristic vibes. For freaky-Deek, the project is more than a crowdfunding campaign; it’s an unspoken warning about the digital transformation in our society.

Exclusive Interview with Tom Glynn – Part 2 | Assembling Life

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What makes your art unique? “My paintings, sculptures and assemblages are potentially unique as I explore the narrative of everyday events and issues, historical journeys, the paradox of objects and the abstract qualities of both landscape and  the built environment. Direct responses to landscape are significant recurring themes. I work with a multitude of found objects, materials and  techniques within the scope of painting and sculpture, in order to harness the mystery and visual excitement created by juxtaposition, visual memory and spatial configurations – the surrealist and dada  placement of objects and images. Themes and visual ideas often  explore incongruity, archaeological qualities, visual ambiguity, pictorial and real space, political irony, symbol and humour, resulting in a wide  range of outcomes made from expressively applied paint, collage,  assemblage, wood and objets trouvés that yield a profusion of colour, texture, form and spatial complexities.”

JACK OF THE DUST: Exclusive Interview with Andy Firth – Part 3 | The Way

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Andy Firth is a self-taught Australian artist of the social generation, known for his signature canvas: the human skull. Capturing the gentle intricacies of lives once lived, Firth’s work has captivated an engaged audience of over 2.5 million people Worldwide! His clientele includes Joe Rogan, Slash, Jason Momoa, Chris Brown and Nikkie Tutorials.

For the past decade, Firth has remained widely anonymous under the title ‘Jack Of The Dust’. Established in a home garage in 2013, his operation’s alluring namesake is an 1800s Royal Navy term that represents Firth’s revival of characters, cultures and the stories that surround them. Firth has now grown ‘Jack of The Dust’ to a full-time crew of 15, and operates from two Burleigh Heads warehouses spanning 7500 square feet on Australia’s Gold Coast. ‘Jack of The Dust’ exists to crack through the limits of imagination on adventure, where the human experience is never truly dead! And with that being said, here’s Part 3 of our bone-chilling interview with Andy Firth.

Exclusive Interview with Tom Glynn – Part 1 | Making of an Artist

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Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first  stepped foot in a sandpit. 

JACK OF THE DUST: Exclusive Interview with Andy Firth – Part 2 | The Artist

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Andy Firth is a self-taught Australian artist of the social generation, known for his signature canvas: the human skull. Capturing the gentle intricacies of lives once lived, Firth’s work has captivated an engaged audience of over 2.5 million people Worldwide! His clientele includes Joe Rogan, Slash, Jason Momoa, Chris Brown and Nikkie Tutorials.

For the past decade, Firth has remained widely anonymous under the title ‘Jack Of The Dust’. Established in a home garage in 2013, his operation’s alluring namesake is an 1800s Royal Navy term that represents Firth’s revival of characters, cultures and the stories that surround them. Firth has now grown ‘Jack of The Dust’ to a full-time crew of 15, and operates from two Burleigh Heads warehouses spanning 7500 square feet on Australia’s Gold Coast. ‘Jack of The Dust’ exists to crack through the limits of imagination on adventure, where the human experience is never truly dead! And with that being said, here’s Part 2 of our bone-chilling interview with Andy Firth.

JACK OF THE DUST: Exclusive Interview with Andy Firth – Part 1 | The Skull

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Andy Firth is a self-taught Australian artist of the social generation, known for his signature canvas: the human skull. Capturing the gentle intricacies of lives once lived, Firth’s work has captivated an engaged audience of over 2.5 million people Worldwide! His clientele includes Joe Rogan, Slash, Jason Momoa, Chris Brown and Nikkie Tutorials.

For the past decade, Firth has remained widely anonymous under the title ‘Jack Of The Dust’. Established in a home garage in 2013, his operation’s alluring namesake is an 1800s Royal Navy term that represents Firth’s revival of characters, cultures and the stories that surround them. Firth has now grown ‘Jack of The Dust’ to a full-time crew of 15, and operates from two Burleigh Heads warehouses spanning 7500 square feet on Australia’s Gold Coast.

A Modern Romantic: Reflections on the Art of Tom Glynn

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If some artists are born and others made, Tom Glynn is undoubtedly one of the former. Growing up in West Sussex in the 1950s and 60s, he possessed a voracious  aesthetic sensibility from the start. Not long after beginning at school, aged five,  he spent the best part of a week constructing an elaborate tunneled structure in a  sandpit – astonishing his teachers in the process. In subsequent years he fashioned  animals from plasticine, made assemblages from scavenged wood, sketched on  scraps of paper, and built miniature model theatres. As he grew older, Glynn became  interested in earlier artists, establishing what he has called a ‘lifelong friendship’  with the work of Picasso, Matisse, Arp and Brancusi. But his ambitions to become  a serious artist himself only crystallized at the age of fifteen, when he visited the  studio of the great post-war British sculptor, Robert Adams. Glynn even showed  the older artist some of his own creations, which Adams is said to have admired. 

The Groovy Colors of Dan Lam

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Internationally acclaimed contemporary artist and social media influencer Dan Lam is an artist based out of Texas. Lam’s drippy sculptural work explores sensational dichotomies by mixing unconventional materials, organic forms, and bright colors. With contrasting themes verging on beauty and grotesqueness at once, her art provokes its viewers to ponder meaning and existence while inspiring feelings of familiarity and wonder.

Curiosity, play, and fun are the foundation of where Lam’s work begins. Her experimentation results in beautiful sculptures created with various materials such as foams, polyurethanes, resins, acrylics, and polymers, which defines her style.