In the realm of art, there exists an enigmatic connection to the world of drugs—an allure that has enticed and ensnared countless renowned artists throughout history. These tragic tales, punctuated by creativity, self-destruction, and haunting masterpieces, reveal the profound impact drugs can have on artistic expression. Let us embark on a journey through the lives of famous artists, exploring their tumultuous relationships with drugs and the indelible mark it left on their art.
The International Conference, Leonardo The Immortal Light, held at Palazzo Li Madou in Ancona, unveiled a groundbreaking study on Leonardo da Vinci’s red chalk drawing, revealing that it depicted the features of Federico da Montefeltro, the Duke of Urbino. The event, now in its 30th edition, explored Leonardo’s genius through scientific research, philosophy, and art, with renowned experts presenting their findings. The conference also highlighted the role of Neoplatonism during the Renaissance, the symbolism employed by Federico at his court, and the anatomical details of the drawing. The event culminated in the awarding of the prestigious Leonardo International Award to the Marche Region for its commitment to culture, tourism, and sustainability. The discoveries made during the conference underscored the profound connection between the Marches and Leonardo’s works, emphasizing the need for a new humanism that unites spirituality and intellectual achievements. The event serves as a catalyst for cultural rebirth, inspiring further research and appreciation of Leonardo’s legacy, while envisioning a future where art, science, and philosophy intertwine to shape a harmonious society.
Johann Wolfgang von Goethe was a world-renowned 18th century writer and philosopher, covering poetry, plays, novels, and scientific treatises, and widely considered the greatest German writer of all time. His magnum opus, “Faust,” tells the story of a scholar who makes a deal with the devil in exchange for unlimited knowledge and pleasure, and is regarded as one of the greatest literary works ever written. Now imagine owning an antique limited-edition royal “Faust” that is the size of a small window. It is covered in leather and silver, published and decorated by the finest bookmakers and artists of its time, and made exclusively for Queen Victoria. Who wouldn’t want such a copy for their personal library?! This book exists, and with some effort, you can purchase it for your collection.
Every day thousands of art market participants find themselves in search of a ‘good art appraisal’ that will suit their specific needs. Even more art owners are already in possession of such valuation documents, which they use for important legal purposes. At the same time, we all know that art appraising process can be a little intimidating. Many people rely completely on the guidance of the first art experts they meet without doing their homework on the expert and, more impartially, the process involved. In this article, I would like to share everything you need to know as a client about the process of art appraisal. We will discuss the purpose of these documents, how to audit them yourself, what standards should good appraisers follow, and much more. But, first things first – what is art appraisal?
When it comes to the world of art, certain paintings command staggering prices that represent the pinnacle of human spending power. These masterpieces are highly cherished by investors, collectors, and art lovers alike. The top five most expensive artworks ever sold are a testament to the enduring value of art. Ranging from the masterful brushstrokes of Leonardo da Vinci to the bold color fields of Mark Rothko, these works hold more capital than some banks. In this article, we will take a closer look at the most expensive artworks ever sold, examining the artists, the works, and the prices they fetched at auction or private sale. Whether you are a seasoned collector or simply an art enthusiast, read on to discover the most valuable paintings in history.
Art and terrorism seem to be worlds apart, however what most people perceive as heritage and culture – criminal organizations see as cold hard cash. Cash that is hard to trace and very easy to move undetected through any borders of any country.
First crucial point to understand is that when we are talking about art, we do not mean your local flea market ‘stuff’. Nor do we limit ourselves to just paintings. We are talking about high-end ‘movable cultural property’ consisting of art, antiques, and collectibles … very expensive art, antiques, and collectibles. Items that by far exceed a $100,000 dollars benchmark.
Second point to understand – there are lots of them, everywhere, in every country, city, and town. In fact there will never be a shortage of them. With the latest modern art hype the market literally became a factory. These modern creations are breaking multimillion dollar records at top auctions around the world.
We learned from the press that the Pontifical Delegation for the Basilica of Saint Anthony of Padua appointed a scientific committee composed of four scholars to evaluate the conservation and restoration program of the “Equestrian Statue of Gattamelata” which stands out in the square adjacent to the Basilica of Padua.
Since 2020, Ce.St.Art and the association Territori have conceived, promoted, and presented a far-reaching project which covers not only the restoration of the “Gattamelata Statue” but above all the restoration of the “Deposition of Christ” by Donatello stored inside the Basilica and which, while representing an absolute masterpiece of the Italian Renaissance, is in a questionable condition.
In 2010 the “(crypto)signature” in stylized letters “RAFFAEL SANT PXT” and the date 1501 in Roman numerals “MDI” were discovered inserted in the arabesque decoration of the border of Saint Catherine’s mantle.
The presence of Raphael in Città di Castello in those years is proven by the historical sources and consolidated by studies and therefore the date shown on the “small tablet or small panel painting” is perfectly consistent with the biographical events of the Artist.
Moreover, Raphael’s practice of affixing his signature and cryptosignature on paintings was his typical habit during his youthful period and it was also a practice of many other artists before becoming famous.
Around February of this year, in the midst of the still-pending cryptocurrency boom, a sub-category of digital assets started to really take off. NonFungible.com reported that by the first quarter of 2021, over $2 billion worth of transactions had taken place in the NFT market. Musician Grimes sold almost $6 million worth of digital art via digital asset marketplace Nifty Gateway, who are partnered with Sotheby’s. Twitter founder Jack Dorsey auctioned his first ever tweet as an NFT, the final bid closing at $2.9 million. UFC Heavyweight Champion Francis Ngannou sold NFTs following his knockout victory over Stipe Miocic. The proceeds of the sale, $580,000, was actually more than his disclosed purse for the fight itself that earned him the belt. Despite the hype, in many regards serving as a speculator’s dream, NFTs come with inherent issues that threaten to hamper widespread and enduring adoption.
An Italian artist has sold an invisible “sculpture” for €15,000 ($18,000). The World Art News is the first to obtain exclusive photographs of this non-existing artwork!
