Tag: Italian Art

Leonardo da Vinci’s Ideal Horse has been Found!

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Leonardo da Vinci, widely regarded as the preeminent Master of All Time, stands as the most extensively studied artist globally. This polymathic genius continues to captivate the imagination, as exemplified by the suspenseful thriller “The Da Vinci Code,” a work of fiction positing that Leonardo embedded intricate clues within his creations. This fascination stems from his embodiment of the universalist spirit of the Renaissance. Among his most iconic drawings, “The Vitruvian Man” has long been a subject of discourse, as scholars endeavor to unveil the concealed secrets behind its depiction of ideal proportions.

Salvator Mundi: a Bone of Contention – Prominent Art Restorer Speaks Out

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Salvator Mundi is a remarkable painting by Leonardo da Vinci, known for its record-breaking sale of $450 million. This renowned artwork possesses a long and intriguing history, with some experts dating its creation back to the late 1490s, while others argue it was completed after 1500. There is a theory suggesting that it may have been commissioned for King Louis XII of France and his consort, Anne of Brittany, possibly soon after the conquests of Milan and Genoa. However, it is important to note that not all historians accept this theory. By delving into the painting’s history from its inception to the present day, we can observe the impact of the art market, pricing, and the various interventions it has undergone.

Groundbreaking study on Leonardo da Vinci’s red chalk drawing reveals the face of Federico da Montefeltro

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The International Conference, Leonardo The Immortal Light, held at Palazzo Li Madou in Ancona, unveiled a groundbreaking study on Leonardo da Vinci’s red chalk drawing, revealing that it depicted the features of Federico da Montefeltro, the Duke of Urbino. The event, now in its 30th edition, explored Leonardo’s genius through scientific research, philosophy, and art, with renowned experts presenting their findings. The conference also highlighted the role of Neoplatonism during the Renaissance, the symbolism employed by Federico at his court, and the anatomical details of the drawing. The event culminated in the awarding of the prestigious Leonardo International Award to the Marche Region for its commitment to culture, tourism, and sustainability. The discoveries made during the conference underscored the profound connection between the Marches and Leonardo’s works, emphasizing the need for a new humanism that unites spirituality and intellectual achievements. The event serves as a catalyst for cultural rebirth, inspiring further research and appreciation of Leonardo’s legacy, while envisioning a future where art, science, and philosophy intertwine to shape a harmonious society.

Braille Transformed into Art: Fulvio Morella’s Exhibition in Rome

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Following its acquisition by the Braille Museum in Milan, Morella brings a collection of works to Rome that delve into the very essence of limitations. At the heart of the exhibition lies OCULUS, a remarkable chalcography paying homage to Rome and the profound human ingenuity embodied by the Pantheon. True to Morella’s artistic style, OCULUS is enhanced and “completed” by a Braille inscription, translated into French, English, and Italian, which reads, “Not always closed eyes sleep, not always open eyes see.” Additionally, showcasing his interest in the artistic process, the artist offers a behind-the-scenes glimpse into this ambitious project, presenting the magnesium matrices and preparatory works created from 2021 until present alongside the final artwork.

MEDEA Contemporary Art Exhibition curated by Demetrio Paparoni 

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The exhibition includes works by 17 artists created specifically on the theme of Medea, one of the most famous and controversial characters in Greek mythology. It reveals the extent to which the story of the sorceress, infanticide in Euripides’ narration, still affects the imagination of our times. Through the unprecedented gaze of contemporary artists from different geographical areas – from Northern Europe to China, from the Caucasus region to South-East Asia, as well as Italy – the exhibition highlights the inseparable link between Siracusa and ancient theatre. Classical tragedy is thus revived in Siracusa through contemporary artistic expressions also in the field of visual arts.

‘PAINTING HER’ Exclusive Interview with Italian Hermetic – Claudio Giulianelli

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Claudio Giulianelli is an internationally recognized artist known for his romantically surrealistic oil paintings of Italian women in traditional costumes. He was born in Rome in 1956 and from the moment that Claudio could hold a pencil he began to draw. Now, many years later, Claudio’s colorful, bright, and delightful artworks can be found in many collections around the world. Throughout his life he meticulously studied the Old Masters as well as philosophers and mystics, and in the process became a master of the brush himself. The World Art News is pleased to share with you our exclusive interview with this fascinating artist.

Deposition of Christ by Donatello – The Mystery of a Restoration

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We learned from the press that the Pontifical Delegation for the Basilica of Saint Anthony of Padua appointed a scientific committee composed of four scholars to evaluate the conservation and restoration program of the “Equestrian Statue of Gattamelata” which stands out in the square adjacent to the Basilica of Padua.

Since 2020, Ce.St.Art and the association Territori have conceived, promoted, and presented a far-reaching project which covers not only the restoration of the “Gattamelata Statue” but above all the restoration of the “Deposition of Christ” by Donatello stored inside the Basilica and which, while representing an absolute masterpiece of the Italian Renaissance, is in a questionable condition.

Raphael’s First Signed Painting: The “Mystic Marriage of Saint Catherine” of Città di Castello

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Mystic Marriage of Saint Catherine, Raphael

In 2010 the “(crypto)signature” in stylized letters “RAFFAEL SANT PXT” and the date 1501 in Roman numerals “MDI” were discovered inserted in the arabesque decoration of the border of Saint Catherine’s mantle.

The presence of Raphael in Città di Castello in those years is proven by the historical sources and consolidated by studies and therefore the date shown on the “small tablet or small panel painting” is perfectly consistent with the biographical events of the Artist.

Moreover, Raphael’s practice of affixing his signature and cryptosignature on paintings was his typical habit during his youthful period and it was also a practice of many other artists before becoming famous.

The Enigma of Raphael – Price Analysis and History of the Legendary Artist

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Raphael’s incredible works of art were already desired when he was alive. After his passing they became real cult objects and remained as such to this day.

An endless bibliography has dealt with the Raphaelesque myth and the desire to attribute works to his authorship has led over the centuries the scholars to recognize his hand where it wasn’t and not to take it into account even in cases where the documents said the opposite.

On the art market, the demand for Raphael’s paintings has always been characterized by very high values and this, of course, is an important factor of reflection to consider, which can sometimes become the keystone for the interpretation of attributive events.

The ‘Collòculi’ Exhibit by Internationally Recognized Artist and Filmmaker Annalaura di Luggo

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Internationally recognized artist and filmmaker Annalaura di Luggo unveils “Collòculi” – her most artistic challenge!

“Collòculi” is an immersive, multimedia interactive work made in the shape of a Giant Eye from recycled aluminum. The symbolism of recycling is both suggestive of environmental rebirth as well as the deeper meaning of taking old thrown away emotions and creating new, more positive views through new eyes.

COLLÒCULI WE ARE ART by Annalaura di Luggo is currently on display at al National Archeological Museum of Naples MANN (Italy) until January 2023.