Tag: Paintings

Monet’s Masterpiece Smashes Records at Christie’s with a Staggering $74,010,000 Sale

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In a groundbreaking auction at Christie’s on November 9, 2023, Claude Monet’s masterpiece, “Le bassin aux nymphéas,” achieved a record-setting sale of USD 74,010,000. The iconic painting, dating from 1917-1919 and measuring 100.1 x 200.6 cm, surpassed all expectations, becoming one of the most expensive Monet artworks ever sold. Widely celebrated as a landmark of late Impressionism, “Le bassin aux nymphéas” captures the essence of Monet’s famed gardens at Giverny. The large-scale canvas showcases the artist’s signature play of impasto and vibrant brushwork, offering a mesmerizing portrayal of the flowing planes of flowers and the expansive lily pond.

The Dark Side of Everyday Life: Wang Guangyi’s Solo Exhibition “Obscured Existence” in Italy at Palazzo Pitti

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This exhibition, comprising 28 masterful paintings by the renowned artist Wang Guangyi, guides visitors through four distinct cycles. These cycles delve into the underlying essence of the ritualistic nature of daily gestures and the use of common objects. Simultaneously, the works delve into the profound impact of one’s cultural background on the interpretation of art. The journey begins with “Daily Life,” a series of paintings focusing on the intimacy of small, everyday gestures performed by each of us. Within this initial series, Wang Guangyi portrays moments of private life, capturing individuals in vulnerable states, emphasizing how the ordinary can attain ritualistic significance.

Rare Byzantine Treasure Resurrected: Restoring the Sacred ‘Ierosolimitiko’ Icon Unites Past and Present

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In this captivating story, a team of experts from Venis Studios undertakes an extraordinary conservation and restoration journey to revive a rare and historically significant “Ierosolimitiko” icon found within Kuruçeşme’s Saint Demetrius church in Istanbul. The remarkable artwork, depicting Jerusalem and the Holy Land, suffered severe damage and wear over time, but through meticulous scientific research and traditional techniques, the team successfully brought it back to life. The restoration process involved delicate cleaning, selective retouching, and careful lining interventions to provide stable support for the ancient canvas. The hidden beauty of the sacred icon was unveiled, capturing the imagination of viewers as they discover its profound religious and artistic significance. The successful preservation of this ancient treasure not only rescues memories from the Holy Lands but also safeguards tradition and history, bridging the gap between the past and the present.

Robert S. Duncanson (1821-1872) Exhibition at Meyer Fine Art Gallery | VIDEO

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Robert S. Duncanson (1821-1872), was a Black Hudson River School artist who painted the American South before the Civil War. Widely famous during his lifetime, this artist’s forgotten courageous journey through the antebellum South has never been exhibited or researched until now. Duncanson brilliantly created captivating landscape paintings that come alive to the viewer, by focusing on the minute details of nature and of the stories he wished to communicate. Robert Duncanson’s American scenes of the South often included Underground Railroad imagery and the mountain ridge lines that could be followed as pathways to the North. Many of his paintings were highly landmark driven with details that make these vistas identifiable today. Is it possible that Duncanson painted these historical landmarks to lead the enslaved people of America to freedom? Art historian Michael Meyer believes it is possible.

Erma Gallery Opens in Dubai with Olga Tobreluts First Solo Exhibition in the Middle East 

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Dubai’s vibrant art scene welcomes Erma Gallery, a multidisciplinary art space for experimentation in art and technology. Erma will be supporting both upcoming and accomplished artists in showcasing their work, through technology driven exhibitions set to rouse spectators.

‘0x The Garden’ – is a form of analysis and a way to reconsider classical heritage through contemporary representational approaches. The exhibition includes works made using lenticular printing, classical paintings and digital art. Olga Tobreluts’s paintings are filled with fantastic floral arrangements. Each detail of the pieces is a space for infinite associations; the colors and blossoms can be pondered as a puzzle of one’s own consciousness. Previously, Olga Tobreluts work has been displayed in museums and galleries all over the world, including Tate Modern and V&A Museum in London, the MoMA in New York, the State Russian Museum in St. Petersburg and many others. 

Exclusive Interview with Renowned Senior Expert Artworks Conservator & Restorer Venizelos G. Gavrilakis | Part 1

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VENIS STUDIOS is a company that undertakes conservation and restoration projects of all fixed and portable works of art such as paintings, icon panels, artworks, antiques, historical monuments, etc., in Greece, Turkey, Cyprus, Jordan, United States, and many other nations. Its purpose is to save artifacts and artworks by combining science with art. Recently, The World Art News had the pleasure to interview its President, Venizelos G. Gavrilakis, who shared with us fascinating images, stories, and facts about his unique art career. Here’s Part 1 of that conversation.

Exclusive Interview with Tom Glynn – Part 4 | As A Man Thinketh

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Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. 

Exclusive Interview with Tom Glynn – Part 3 | Taking Care of Business

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How much do your paintings cost? “My paintings range in size, theme and medium and whilst I make very large and small paintings, the price can vary considerably. A small  painting may take me one to two weeks to complete, while a very large  painting will evolve over one to two months and involve more materials. Typically, I have sold A5 to A4 paintings from $5,000 to $8,000 (dependent upon the dealer or gallery commission) and very large ones from $10,000 to $15,000. My paintings will also be valued against my expertise, experience and reputation and of course every piece I make is unique and continues to increase in value. With regards to my sculptures and assemblages, prices are on application.”

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. – Dr. James Fox | British Art Historian & Broadcaster

Exclusive Interview with Tom Glynn – Part 2 | Assembling Life

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What makes your art unique? “My paintings, sculptures and assemblages are potentially unique as I explore the narrative of everyday events and issues, historical journeys, the paradox of objects and the abstract qualities of both landscape and  the built environment. Direct responses to landscape are significant recurring themes. I work with a multitude of found objects, materials and  techniques within the scope of painting and sculpture, in order to harness the mystery and visual excitement created by juxtaposition, visual memory and spatial configurations – the surrealist and dada  placement of objects and images. Themes and visual ideas often  explore incongruity, archaeological qualities, visual ambiguity, pictorial and real space, political irony, symbol and humour, resulting in a wide  range of outcomes made from expressively applied paint, collage,  assemblage, wood and objets trouvés that yield a profusion of colour, texture, form and spatial complexities.”

Exclusive Interview with Tom Glynn – Part 1 | Making of an Artist

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Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first  stepped foot in a sandpit.