Photography

Breaking Down Elements Behind Sascha Fonseca’s Award-Winning Wildlife Photo “World of the Snow Leopard”

Snow leopard standing on a snowy slope before mountain peaks beneath a pink-and-blue sunset sky.

The indigenous peoples of the Indian Himalayas call them “the ghost of the mountain.” The moniker fits; with its thick, whitish-grey fur that blends perfectly with its icy local habitat, the snow leopard seems made for camouflage. This is not, however, enough to protect it from poaching or the ruinous effects of climate change. Not only are snow leopards difficult to find—there are now fewer of them to see. This is why the snow leopard is the subject of the photograph that won Sascha Fonseca the Wildlife Photographer of the Year People’s Choice Award. The London Natural History Museum hosts this photography competition to highlight the connection between photography, science, and art.

VESTIGES OF THE FUTURE: Photography of Jean-Marc Yersin

Black-and-white photograph of La Tour Rouge at Julier Pass, with tall arched openings and snowy mountains.

Former co-director of the Swiss Camera Museum, Jean-Marc Yersin started out as a professional photographer.

Since 2018, he has returned to his first passion, continuing a cycle of images that inspired him thirty years earlier. He frames tightly, in black and white, motorway structures, factories and mountain buildings.

The compositions are geometric, contrasted, sharp. There is no human presence. The forms are abstracted from their functions. The silence is absolute.

These are photographs under tension. They show the conflict between the built environment and nature, between concrete and the landscapes.

Exclusive Interview with Dave Vescio – Part 3 | Break The Rules

Black and white portrait of a man against a vivid green and orange textured background.

Part 3 of our Exclusive Interview with Dave Vescio may be The Best One Yet!

This time Dave, an Ex-Con, a Movie Star, and an Award-Winning Artist, talks about perhaps the most important subject of all – Creativity.

Here’s a taste: “Just focus on creating art and getting it out into the world anyway you can. That’s all that matters. If you want to sell it, sell it, if you want to give it away, then give it away, if you want to store it and hope someone takes it after you die, then do that too. Either way, focus on creating the art that you want to create in this moment in time. That’s all that matters, that’s all there really is. Everything else is just an illusion of false realities of what we think life is, but actually isn’t.”

Changing How The World Sees Art

Claude Monet’s haystack painting outlined in yellow and red to illustrate visual balance.

To get more out of looking at and creating art there are two easy-to-learn concepts combined by the masters of painting that have rarely been published together – until now.

Discover simple ideas that are changing how the world sees art, and revealing a visual language that has been hiding in plain sight.

The combination of asymmetrical balance and the brightness/weight illusion is a reintroduction, from the Modernist period, of a way of seeing the world and art like an artist. Like learning to play a musical instrument (or balance a bicycle), it takes practice to coordinate all the parts.

FROM PRISON TO HOLLYWOOD: Dave Vescio’s Incredible Life Story In His Own Words

Composite portrait of Dave Vescio with a dark abstract image over one side of his face.

Dave Vescio tell his incredible life story of how he went from a Soldier to an Ex-con to a Movie Villain to an Award-Winning Contemporary Artist!

“I went on the run for a year-and-a-half. I finally got caught and was sentenced to 10-years at Fort Leavenworth, a hard-labor, maximum-security prison for Department of Defense inmates. I lived amongst some of the worst criminals in the world. We had serial killers, rapists, child molesters, and even murderers. Which turned out to be the perfect training ground for me to study these monsters and figure out why they committed these horrific crimes. I did 5-years in total; two-and-a-half on the inside and two-and-a-half on federal parole.”