Tag: Giancarlo Graziani

Gauguin’s New Masterpiece Discovered! Never Before Seen ‘Beautes a Tahiti’

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The World Art News is the first to bring you this breaking story of a newly discovered masterpiece ‘Beautes a Tahiti โ€“ Source sur la mer’ by Paul Gauguin. Marking a significant moment in art history, Giancarlo Graziani and Salvatore Prato meticulously unravel a narrative that transcends the boundaries of mere artistry. With scholarly rigor, they trace the journey of this previously unseen painting, illuminating its path from obscurity to revelation. From the vibrant streets of Paris to the tranquil shores of Tahiti, the canvas bears witness to a compelling tale of artistic brilliance and commercial intrigue. As its secrets are methodically revealed, the painting emerges as a testament to Gauguin’s enduring legacy and the timeless allure of discovery in the world of art.

Donatello Puzzle: The Deposition of Christ and High Altar at Basilica of Saint Anthony in Padua

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As part of the exhibition dedicated to Donatello at the Victoria and Albert Museum (“Donatello: Sculpting the Renaissance,” which took place from February 11, 2023, to June 11, 2023), a conference organized by the V&A Research Institute was held in London. It focused on the Medici sculptor par excellence, the only one honored with burial in the crypt of the Basilica of the Florentine dynasty of San Lorenzo. Speeches were scheduled over two days and saw the presence of the most important specialists in the international arena. They took stock of the studies dedicated to the Master, which, despite having a very extensive bibliography, still leave many questions open.

The Modigliani Affaire

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The death of Amedeo Modigliani and of his devoted partner Jeanne Hebuterne starts one of the most emblematic stories of the Art Market, which will lead the works of the unfortunate Tuscan artist to be subject of an โ€œexceptional enterprise of economic revaluationโ€.

The acme of the speculative operation has been reached with the auction award for 170,405,000 US dollars of the “Red Nude”, which previously belonged to Gualino Collection and to Feroldi Collection and then in 1950 was acquired by the art collector Gianni Mattioli thanks to the interest of his cousin, Fernanda Wittgens, the then Director of the Pinacoteca di Brera.

The valorization of Modigliani’s Work thus began in the โ€˜50s on both sides of the Atlantic Ocean: in Europe activities revolved around โ€œIl Milione Galleryโ€ in Milan and in Americaย around Museum of Modern Art in New York.

Deposition of Christ by Donatello – The Mystery of a Restoration

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We learned from the press that the Pontifical Delegation for the Basilica of Saint Anthony ofย Padua appointed a scientific committee composed of four scholars to evaluate the conservation and restoration program of the “Equestrian Statue of Gattamelata” which stands out in the square adjacent to the Basilica of Padua.

Since 2020, Ce.St.Art and the association Territori have conceived, promoted, and presented a far-reaching project which covers not only the restoration of the “Gattamelata Statue” but above all the restoration of the “Deposition of Christ” by Donatello stored inside the Basilica and which, while representing an absolute masterpiece of the Italian Renaissance, is in a questionable condition.

Raphael’s First Signed Painting:ย The โ€œMystic Marriage of Saint Catherineโ€ of Cittร  di Castello

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Mystic Marriage of Saint Catherine, Raphael

In 2010 the “(crypto)signature” in stylized letters “RAFFAEL SANT PXT” and the date 1501 in Roman numerals “MDI” were discovered inserted in the arabesque decoration of the border of Saint Catherine’s mantle.

The presence of Raphael in Cittร  di Castello in those years is proven by the historical sources and consolidated by studies and therefore the date shown on the “small tablet or small panel painting” is perfectly consistent with the biographical events of the Artist.

Moreover, Raphael’s practice of affixing his signature and cryptosignature on paintings was his typical habit during his youthful period and it was also a practice of many other artists before becoming famous.

The Enigma of Raphael โ€“ Price Analysis and History of the Legendary Artist

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Raphael’s incredible works of art were already desired when he was alive. After his passing they became real cult objects and remained as such to this day.

An endless bibliography has dealt with the Raphaelesque myth and the desire to attribute works to his authorship has led over the centuries the scholars to recognize his hand where it wasnโ€™t and not to take it into account even in cases where the documents said the opposite.

On the art market, the demand for Raphael’s paintings has always been characterized by very high values and this, of course, is an important factor of reflection to consider, which can sometimes become the keystone for the interpretation of attributive events.