Harmony in Contrast: The Artistic Synergy of Katrin Fridriks and Jan Kaláb – Exclusive InterviewExclusive Interview with Tom Glynn – Part 4 | As A Man ThinkethExclusive Interview with Dan Lam – Dripping SculpturesRestoration Without Reflection: Author Neil Thomas Proto on Vermeer, Helen Frick, and the Lost Art of Moral Imagination
Jodi the Nanotyrannus Sells for US$47.3 Million at Sotheby’sQianlong Emperor’s Jewel-Encrusted Gold Ewer Sells for US$7.11 Million at Christie’sHockney’s €282,200 Print Leads Warhol and Banksy in €1.06 Million Bonhams SaleMV Agusta Sells for $1.3 Million, Setting an Italian Motorcycle Auction RecordEnigma Machine Sells for £203,600 at Bonhams: Inside the 1941 Cipher DeviceUzo Egonu’s Will Knowledge Safeguard Freedom I Sets Auction Record at £198,900Yusuf Grillo’s One Man Band Sets Artist Auction Record at £461,300Ben Enwonwu’s Anyanwu Sells for £602,100, Setting a Sculpture Record at BonhamsRare Gandhi Portrait Achieves £152,800, Tripling Its EstimateBanksy’s British Cool Mickey Snake Triumphs at Bonhams, Selling for £330,600Whistler’s First Portrait Commission Sells for Five Times Estimate, Fetching $495,000Bridget Riley Stuns Art World as Myrrh Soars to $2.36M at BonhamsReception in the Harem: Discovered Masterpiece by John Frederick Lewis Shatters Expectations, Selling for Almost $1.5 MillionRare Qianlong 'Dragon' Vase Stuns at Auction, Sells for $3.7 Million—Over Six Times Its EstimateRenowned Vietnamese Artist Nguyen Gia Tri’s War Painting Fetches Over $500,000 at Bonhams

Paintings

Exclusive Interview with Renowned Senior Expert Artworks Conservator & Restorer Venizelos G. Gavrilakis | Part 1

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VENIS STUDIOS is a company that undertakes conservation and restoration projects of all fixed and portable works of art such as paintings, icon panels, artworks, antiques, historical monuments, etc., in Greece, Turkey, Cyprus, Jordan, United States, and many other nations. Its purpose is to save artifacts and artworks by combining science with art. Recently, The World Art News had the pleasure to interview its President, Venizelos G. Gavrilakis, who shared with us fascinating images, stories, and facts about his unique art career. Here’s Part 1 of that conversation.

Exclusive Interview with Tom Glynn – Part 4 | As A Man Thinketh

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Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. 

Exclusive Interview with Tom Glynn – Part 3 | Taking Care of Business

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Detail of Tom Glynn's Landscape Box, showing horizontal corrugated layers in blue, red, green and yellow.

How much do your paintings cost? “My paintings range in size, theme and medium and whilst I make very large and small paintings, the price can vary considerably. A small  painting may take me one to two weeks to complete, while a very large  painting will evolve over one to two months and involve more materials. Typically, I have sold A5 to A4 paintings from $5,000 to $8,000 (dependent upon the dealer or gallery commission) and very large ones from $10,000 to $15,000. My paintings will also be valued against my expertise, experience and reputation and of course every piece I make is unique and continues to increase in value. With regards to my sculptures and assemblages, prices are on application.”

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. – Dr. James Fox | British Art Historian & Broadcaster

Exclusive Interview with Tom Glynn – Part 2 | Assembling Life

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Stonehenge 8 by Tom Glynn, with standing stones, a butterfly and textured bands of orange, yellow and pink.

What makes your art unique? “My paintings, sculptures and assemblages are potentially unique as I explore the narrative of everyday events and issues, historical journeys, the paradox of objects and the abstract qualities of both landscape and  the built environment. Direct responses to landscape are significant recurring themes. I work with a multitude of found objects, materials and  techniques within the scope of painting and sculpture, in order to harness the mystery and visual excitement created by juxtaposition, visual memory and spatial configurations – the surrealist and dada  placement of objects and images. Themes and visual ideas often  explore incongruity, archaeological qualities, visual ambiguity, pictorial and real space, political irony, symbol and humour, resulting in a wide  range of outcomes made from expressively applied paint, collage,  assemblage, wood and objets trouvés that yield a profusion of colour, texture, form and spatial complexities.”

Exclusive Interview with Tom Glynn – Part 1 | Making of an Artist

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Landscape with Pink Lake by Tom Glynn, a colorful textured assemblage with a pink circular form.

Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and  monumental sculptures. And yet all of his work is unmistakably English in mood.  His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him.  Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash  and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It  is, after all, underpinned by an urge that has coursed through his veins since he first  stepped foot in a sandpit. 

‘PAINTING HER’ Exclusive Interview with Italian Hermetic – Claudio Giulianelli

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La regina by Claudio Giulianelli, showing a woman in a striped headdress holding two hand puppets

Claudio Giulianelli is an internationally recognized artist known for his romantically surrealistic oil paintings of Italian women in traditional costumes. He was born in Rome in 1956 and from the moment that Claudio could hold a pencil he began to draw. Now, many years later, Claudio’s colorful, bright, and delightful artworks can be found in many collections around the world. Throughout his life he meticulously studied the Old Masters as well as philosophers and mystics, and in the process became a master of the brush himself. The World Art News is pleased to share with you our exclusive interview with this fascinating artist.

A Modern Romantic: Reflections on the Art of Tom Glynn

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Black book cover with Tom Glynn’s name in orange and red lettering.

If some artists are born and others made, Tom Glynn is undoubtedly one of the former. Growing up in West Sussex in the 1950s and 60s, he possessed a voracious  aesthetic sensibility from the start. Not long after beginning at school, aged five,  he spent the best part of a week constructing an elaborate tunneled structure in a  sandpit – astonishing his teachers in the process. In subsequent years he fashioned  animals from plasticine, made assemblages from scavenged wood, sketched on  scraps of paper, and built miniature model theatres. As he grew older, Glynn became  interested in earlier artists, establishing what he has called a ‘lifelong friendship’  with the work of Picasso, Matisse, Arp and Brancusi. But his ambitions to become  a serious artist himself only crystallized at the age of fifteen, when he visited the  studio of the great post-war British sculptor, Robert Adams. Glynn even showed  the older artist some of his own creations, which Adams is said to have admired. 

Top 5 Most Expensive Paintings Ever Sold

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Detail of Salvator Mundi by Leonardo da Vinci, showing the face, raised hand and blue robe.

When it comes to the world of art, certain paintings command staggering prices that represent the pinnacle of human spending power. These masterpieces are highly cherished by investors, collectors, and art lovers alike. The top five most expensive artworks ever sold are a testament to the enduring value of art. Ranging from the masterful brushstrokes of Leonardo da Vinci to the bold color fields of Mark Rothko, these works hold more capital than some banks. In this article, we will take a closer look at the most expensive artworks ever sold, examining the artists, the works, and the prices they fetched at auction or private sale. Whether you are a seasoned collector or simply an art enthusiast, read on to discover the most valuable paintings in history.

“There is No Excuse for Violence” Art Exhibition in Turkey | Exclusive Photos

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The first of our ‘Silent Screams’ painting exhibitions, with which we set out with nearly 40 painters and our slogan ‘There is No Excuse for Violence’ was held on November 1, 2022. During this event Prof. Dr. Mansur Beyazyürek’s held a conference on violence and art. Our aim is to stand in against psychological and physical violence against women, men, animals, young people, old people, doctors, health workers, teachers, lawyers, judges, police, and all living beings.

Our second exhibition will be opening on 11.11.2022 in BOF HOTELS BUSINESS, Istanbul, Umraniye, Turkey. It will be held until 19.11.2022. A percentage of the revenues from our exhibition will be donated by the artists to the victims of violence and those in need.

Exclusive Interview with Mike Habs, a Punk Rock Abstract Artist who Goes Big

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A person works on a large red, orange and yellow abstract painting filled with layered lettering.

In my paintings, I work to leverage color and contrast to abstractly interpret songs that have had a meaningful impact or have helped me gain perspective throughout various points of my life. The paintings are my way of transcribing the enthusiasm, inspiration, and conceptual aspects I receive from this music, and the work then evolves as I continue to explore new techniques and approaches.