On a warm July evening, in a quiet stretch of Clinton Street on the Lower East Side, Shwetlana Mehta’s work was presented to a New York audience. It was not marked by noise or spectacle, but rather by silence, shadows, and small details that invited close attention. In “Moving Through Uncertainty,” a group exhibition curated by Luman Jiang at Flowing Space Gallery, Mehta presented six linoleum prints that didnโt attempt to explain the world; they simply sat with its ambiguities. Her contribution stood alongside works by Wujian Wang and Dipa Halder, each artist navigating in their own visual language.
