Latest World Art News about Furnishing and Decoration
It seems that the modern art world wants the artist to be restricted to the haul and carry, booth setup, travel, out of town hotel expenses, adverse weather, damage to artwork, and watch the crowds meander by art show circuit rather than using local art for interior decorating or serious art show displays in art centers or galleries. Communities like art shows that draw crowds and money into their area, and seem determined to keep the art show circuit working to their own advantage.
The different woods used in this piece were turned, sculpted, and include marquetry. It had six drawers, one cylindrical with a sprung ejection mechanism that can be used to store a bottle, and another with a retractable curtain closing. Pushing the button made of boxwood burl makes the midnight blue writing table advance, revealing a half-cylindrical pen holder. Opening the door with the horn handle reveals partitions and two small drawers with varnished interiors. It goes without saying that this piece also contains a secret space … location of which must remain a secret!
The Bomb Factory Art Foundation is pleased to present All Things Fall, a solo exhibition featuring the work of contemporary British artist Mat Collishaw, from April 20th, 2023, to May 21st, 2023. The exhibit will be held at Bomb Factory Art Foundation’s newest building in Marylebone.
Mat Collishaw is one of the most significant and compelling artists in contemporary British art. With an early foundation at Goldsmiths College, Collishaw formed part of the legendary movement of Young British Artists. He was one of 16 young artists who participated in the seminal Freeze exhibition organized by Damien Hirst in 1988 as well as the provocative Sensation show of 1997.
Mateo Blanco, a Colombian American artist who lives in Miami, has had a longtime interest in expressing the lure of Hollywood. He has explored the power of the image and fame in his highly original portraits of iconic screen sirens like Jennifer Lawrence, whose portrait he recreated using peanuts, Madonna, Dolly Parton and many Marvel superheroes, Avatar characters as well as beloved Star War characters.
In his latest piece, HOLLYWOOD BY MATEO BLANCO, we can see how the stark white background gives power to the image: white, the color of Marilyn Monroe’s dress; white, the color of the lights that shine and make movies possible; white, the first word uttered when the director begins to shoot; white, the color of the gleaming smiles, the diamonds, the very screen on which all our dreams and movies are projected.
How much do your paintings cost? “My paintings range in size, theme and medium and whilst I make very large and small paintings, the price can vary considerably. A small painting may take me one to two weeks to complete, while a very large painting will evolve over one to two months and involve more materials. Typically, I have sold A5 to A4 paintings from $5,000 to $8,000 (dependent upon the dealer or gallery commission) and very large ones from $10,000 to $15,000. My paintings will also be valued against my expertise, experience and reputation and of course every piece I make is unique and continues to increase in value. With regards to my sculptures and assemblages, prices are on application.”
Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and monumental sculptures. And yet all of his work is unmistakably English in mood. His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him. Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit. – Dr. James Fox | British Art Historian & Broadcaster
Between dystopia and humourism – ChatGPT is on everyone’s lips, AI has already moved into most households, digitalization is advancing more massively than ever and radically changing the way we live together. With Project AD-01, the fictional company Xetashell Corporation around musician Laura Dre and sculptor freaky-Deek has launched their first Kickstarter campaign today that is now bringing together technological progress and genuine craftsmanship. The campaign focuses on the specially handcrafted Android busts and the release of Laura Dre’s soundtrack, which combines musical finesse with futuristic vibes. For freaky-Deek, the project is more than a crowdfunding campaign; it’s an unspoken warning about the digital transformation in our society.
Veronica Winters is one of those rare professionals who can paint stunning beauty with near-perfection. Her precise, colorful, and highly imaginative style often leaves the viewer speechless. It isn’t easy nowadays to find an artist who is still following in the footsteps of the Old Masters and is putting in the time to create works of truly fine contemporary art. For this reason, right before International Women’s Day, The World Art News is pleased to publish Part 1 of our Exclusive Interview with Veronica. So, without further ado, let’s begin!
Andy Firth is a self-taught Australian artist of the social generation, known for his signature canvas: the human skull. Capturing the gentle intricacies of lives once lived, Firth’s work has captivated an engaged audience of over 2.5 million people Worldwide! His clientele includes Joe Rogan, Slash, Jason Momoa, Chris Brown and Nikkie Tutorials.
For the past decade, Firth has remained widely anonymous under the title ‘Jack Of The Dust’. Established in a home garage in 2013, his operation’s alluring namesake is an 1800s Royal Navy term that represents Firth’s revival of characters, cultures and the stories that surround them. Firth has now grown ‘Jack of The Dust’ to a full-time crew of 15, and operates from two Burleigh Heads warehouses spanning 7500 square feet on Australia’s Gold Coast. ‘Jack of The Dust’ exists to crack through the limits of imagination on adventure, where the human experience is never truly dead! And with that being said, here’s Part 3 of our bone-chilling interview with Andy Firth.
Tom Glynn is a rare breed: an artist who can move effortlessly between artforms, materials, scales and registers, equally adept at making miniature paintings and monumental sculptures. And yet all of his work is unmistakably English in mood. His images are populated by the country’s Neolithic monuments and pastoral landscapes, and informed by the many artists who inhabited those places before him. Glynn is driven by the same Romantic spirit that motivated Palmer and Turner, Nash and Piper, Wallis, Lanyon and Hockney, but his art is never anything but his own. It is, after all, underpinned by an urge that has coursed through his veins since he first stepped foot in a sandpit.
Andy Firth is a self-taught Australian artist of the social generation, known for his signature canvas: the human skull. Capturing the gentle intricacies of lives once lived, Firth’s work has captivated an engaged audience of over 2.5 million people Worldwide! His clientele includes Joe Rogan, Slash, Jason Momoa, Chris Brown and Nikkie Tutorials.
For the past decade, Firth has remained widely anonymous under the title ‘Jack Of The Dust’. Established in a home garage in 2013, his operation’s alluring namesake is an 1800s Royal Navy term that represents Firth’s revival of characters, cultures and the stories that surround them. Firth has now grown ‘Jack of The Dust’ to a full-time crew of 15, and operates from two Burleigh Heads warehouses spanning 7500 square feet on Australia’s Gold Coast. ‘Jack of The Dust’ exists to crack through the limits of imagination on adventure, where the human experience is never truly dead! And with that being said, here’s Part 2 of our bone-chilling interview with Andy Firth.
